Many books, designers, and design educators talk about visual design principles such as balance, contrast, and alignment, but with little consistency. This study uses empirical methods to explore the lore surrounding design principles. The study took the form of two stages: a quantitative literature review to determine what design principles are…

Whenever a young student wanted to weave, his loom was at school or at home. He solved the problem by designing a portable loom which he is able to carry with his school books and can even use on the school bus. (Author/RK)

The color wheel, because it is an excellent way to teach color theory has become somewhat of a traditional assignment in most basic design courses. Article described a way to change this situation by re-designing and improving upon the basic color wheel. (Author/RK)

A visiting artist stimulated art students to utilize scrap iron and junk as art materials. (Author/RK)

What can be done to transform a lump of wet clay into something more than a lump of glaze-fired clay? It is at this point when forming techniques have been mastered that good design becomes most important. Discusses six criteria involved in the search for good design so that students can discover what good design is and how important it is.…

The Nelson approach, taken from Glenn C. Nelson's "Ceramics--A Potter's Handbook," was used to demonstrate basic design concepts for young students. This approach was intended to introduce the student to design through a basic direction that hopefully cultivates awareness, while allowing individual development. (Author/RK)

The idea of art in commerce to catch your attention and make a forceful impression becomes so much more meaningful when students have a chance to try their hand at it. Here students learn to think of one word that can be illustrated only by the use of colored paper. (Author/RK)

Art history is a hybrid discipline that combines the verbal with the visual, yet the limiting verbal approach traditionally has defined the field. Another problem at the university level is that different types of classes define visually literacy differently; for example, art education programs emphasize perceptual and cognitive angles while art…

Ingenuity, imagination, aluminum foil and a few odds and ends have been combined to produce interesting results in junior high school art classes. (Author)

Article described an art project that attempted to change the general apathy of the public towards art education. (Author/RK)

Some aspects of design common to most studios are discussed. A number of different art and craft processes are described, with the requirements in terms of equipment, storage, and expected use. Discussion is included of examples of planning arrangements of individual studios grouped into three categories--(1) general, multi-purpose studios, (2)…

This study explores the relationship between art object preferences and aesthetic attitudes of high school students. A corollary variable was socioeconomic status as determined by the National Opinion Research Center scale. A sample of 443 students, grades 8-12, in a Virginia high school, were studied. The 5-point Aesthetic Attitude Scale was used…

An art teacher described an elective course in graphics which was designed to enlarge a student's knowledge of value, color, shape within a shape, transparency, line and texture. This course utilized the technique of working a multi-colored print from a single block that was first introduced by Picasso. (Author/RK)

Students must be given a cognitive base and have a certain degree of familiarity with a design element in order to cope with materials during the creative process. During a recent outdoor education experience, art teachers found such concerns were minimized in terms of an art program. (Author/RK)