Based primarily on interviews with three outstanding jazz dance artists, this article examines some important topics within the realm of jazz dance education and performance. LaTasha Barnes, creator of "The Jazz Continuum," teaches at Arizona State University (ASU). Erinn Liebhard, director of Rhythmically Speaking, teaches at colleges…

Musical theater dance pedagogy often emphasizes performance over creation, leaving students with limited tools to contribute meaningfully to the creative process of musical theater productions. This article explores a pedagogical approach that integrates compositional tools throughout the curriculum, empowering students to move beyond rote…

Ballet, often perceived as a feminised art, exudes its magic through the predominantly female performers who bring its enchanting narratives to life. Despite this, the leadership landscape within the ballet world does not mirror the prevalence of women on stage. This article delves into the intricacies of the traditional career trajectory in…

Community engagement has become an increasingly prevalent part of dance education. This study responds to the need for additional research on community engagement activities in private sector dance studios in the United States. Using a combined qualitative and quantitative approach, we provide an in-depth look into the current types of community…

Inclusivity is first and foremost the action of bringing all people together in one space, no matter the ability level, race, background, and so on. Our studio is providing just that in an environment designed for people of all ability levels. This article includes how our organization is implementing specific supports for everyone as well as…

Inspired by Harney and Moten's (2013) description of study in the undercommons, I bring the perspective of a dance teacher to a conversation about educational equity. Dance is an important method of study and a form of knowledge. It shows up in the undercommons (Harney & Moten, 2013) and in students' at-home educations (Shujaa, 1993).…

Thai performing arts play a crucial role in Thailand's tourism industry. This article discusses Thai Dancing Arts' role in promoting Thailand's creative tourism, relevant models, and theories. The article also displays a prototypical example of the Thai dancing lesson in conjunction with the use of technology. Additionally, the article delves into…

There is great potential for dance studios to offer more tap dancing classes with older participants in mind. The purpose of this article is to share how adult tap classes at our studio are designed to meet older adults' needs and the benefits these classes have from the points of view of 14 dancers between the ages of 48 to 79. To find out how…

This article reflects on observations as a dance pedagogue, adapting Gilbert's BrainDance to a range of learning and teaching opportunities in intergenerational classroom contexts. Initially applied in an early childhood education context, BrainDance provided a point of departure into conversations and observations with teachers on how the…

Implicit leadership theories are important, as they reflect the deeply held personal beliefs that followers have about their leaders. Research into implicit leadership theories has proliferated over the past 40 years, but no studies have assessed the specific context of the dance and dance education sector. Therefore, the present study asked:…

This article proposes a decolonial choreographic process rupturing the historical locus of enunciation in a dance program at a tertiary institution in South Africa. This locus in choreographic composition curricula in such universities reflects Western modernity, resulting in epistemological hegemony that creates epistemic othering that, we argue,…

Each week in Australia, hundreds of people attend classes in international folk dancing (IFD), eagerly learning and practising dances from around the globe. The existence of FDA and the popularity of IFD must be accorded to André van de Plas from The Netherlands, who visited Australia every year for over three decades. This article examines the…

High school dance students are at an age where they can process challenging technical concepts with an anatomical lens. One of these concepts is turnout, an essential joint action used in a variety of dance contexts and disciplines. As this joint action is not always well explained or well understood, many students try it without adequate guidance…

Acknowledging the diverse ways of knowing and communicating knowledge, this article suggests that community dance and cinematography can be powerful tools for sharing lived experiences. The research involved a community of 80 individuals, ages 5-50 years old, during the COVID-19 pandemic and under the strict measures of quarantine. Art-based…

Ensemble Thinking (ET) is a toolkit of movement scores developed by dance-maker Nina Martin in the 1980s in New York City. The scores of ET arose out of a confluence of Martin's choreographic and improvisational performance practices. The impetus for developing ET was to develop a technical language for creating and discussing improvised dance.…