Considers the educational environment necessary for stimulating creative expression in students and the attitudes that will allow such expression. (RK)

Offers suggestions for students and teachers for learning jazz improvisation. Discusses listening, practicing scales, chords, phrasing, developing a sense of swing, and shaping creative ideas through structural features. Emphasizes the relationship between chords and scales as a critical key to improvisation. Recommends educational materials to…

Most research in music education has so far dealt with music training in institutional settings, such as schools, and is accordingly based, either implicitly or explicitly, on the assumption that musical learning results from a sequenced, methodical exposure to music teaching within a formal setting. However, in order to realise and understand the…

Today's children live in a world where music in all its different forms has become a significant factor in their everyday life. This article describes a 2-year empirical study of nine 8-year-old Swedish children creating music with synthesiser and computer software. The aim of the study is to describe and clarify the creative processes of…

Fifty-eight figure skating trainers from fifteen different countries acted as volunteers in this study on choreography styles. The styles were based on reports of artistic-creative strategies in composing music, drawing, writing poems or novels, and in making dances. The prevalence of the Mozartian (at the onset the choreographer already has a…

Educators need to develop teaching strategies that allow children to explore creative musical processes that will nurture musical skills, self-awareness, and imagination. A sequence of five lessons encompassing language arts and music demonstrates how students can develop creativity by writing haiku and then composing music to accompany the poems.…

This study investigated whether composing music with graphic notations would make a significant difference in creativity in composing music as compared to composing music without graphic notations. Participants were 47 male, Australian, seventh grade students attending a private school. Students were divided into two equal groups (an experimental…

Author constructed a music course that was intended to submerge students in actual experiences with music as instantaneously and completely as possible. (Author/RK)

Describes a strategy called phone-ominal composition for teaching students in fifth through twelve grades about jazz and musical composition. Explains that the students use their phone number to create the composition. Provides examples of this technique and guidelines. (CMK)

Discusses the importance of developing second grade student listening, singing, and composing skills. Explores the second-grade singing apprenticeship where students can sing alone, as a group, or listen to other groups. Focuses on teaching singing skills and allowing students to experiment with music. (CMK)

Examines the reliability of consensual assessment, where experts rate creative products. Focuses on musical compositions by fourth and fifth grade students. Addresses the reliability of certain types of judges using this method (composers, music teachers, theorists, seventh-grade children, and second-grade children). (CMK)

Twenty-two second grade children created musical compositions on an Orff xylophone during an eight-week period and produced accompanying written scores. Analysis showed that, over the period, children improved pattern recognition and increased use of melodic motives, and that writing the score did not inhibit the creative process. (JDD)

Focuses on the connections among the concepts of virtuosity, performance, and knowledge. Defines a virtuoso performance and the two different types of virtuoso performers. Considers to whom the label "virtuoso" should or should not apply and limits its literal application to performers who participate in the interpretive realization of art works.…

This article reports on a project called, "Everyday life as a perspective on music education in the classroom." Part of this project involved the construction of texts and lyrics by a group of students from year 5, in weekly music lessons at a regular primary school from Porto Alegre, Rio Grande do Sul State, Brazil. The article…

This article examines the division of music styles according to the conventional categories of classical, traditional and popular, and proposes the term "vernacular" as a complementary way of viewing various types of amateur music-making among diverse groups in modern societies. "Vernacular", as it is used here, includes the…