This paper explores the implications of children's out-of-school digital multimodal composing practices on learning and teaching in the formal educational context. It adopts a case study approach where publicly accessible "YouTube" video productions of three children around the world are examined. Applying a multimodal discourse analysis…

Recent developments in the performing arts have led Western classical instrumentalists to reconsider their own creative input in their interpretative practice. Still recognising the composer as a main creative source, a fresh approach to interpretation specifically embraces possibilities for shared creativity. Such a shift of perception is…

The seminal conceptualisation of the varying forms of authorship associated with different creativities developed as social practices has deep implications for research into music education in secondary schools. One such type is 'participatory creativity', which is explored through a cross-cutting secondary school study. Aimed at the creation of a…

This pilot study analyzed the learning activities of adult musicians during the composition of a new musical work through online collaboration. The participants interacted in a virtual environment using synchronous and asynchronous tools to develop the composition project. The study utilized a mixed method descriptive design through video…

This column presents an interview with Nathaniel Braddock, who created and teaches an ensemble devoted to Beck's "Song Reader" at the Old Town School of Folk Music in Chicago, Illinois. "Song Reader" is a collection of 20 compositions published as sheet music for musicians to record and release, with over 17,000 versions…

This article reports the findings of a pilot project undertaken by a professional freelance chamber orchestra in collaboration with conservatoire-based researchers exploring the potential value of professional development activities for musicians and their employers. Key members of the orchestra took part in two improvisation workshops,…