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Wanzer, Dana Linnell; McKlin, Tom; Freeman, Jason; Magerko, Brian; Lee, Taneisha – Computer Science Education, 2020
Background and Context: EarSketch was developed as a program to foster persistence in computer science with diverse student populations. Objective: To test the effectiveness of EarSketch in promoting intentions to persist, particularly among female students and under-represented minority students. Method: Meta-analyses, structural equation…
Descriptors: Intention, Student Participation, Persistence, Computer Science Education
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Hickey, Maud – Journal of Research in Music Education, 2001
Examines the reliability of consensual assessment, where experts rate creative products. Focuses on musical compositions by fourth and fifth grade students. Addresses the reliability of certain types of judges using this method (composers, music teachers, theorists, seventh-grade children, and second-grade children). (CMK)
Descriptors: Creativity, Educational Research, Elementary Education, Evaluation
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Priest, Thomas – Journal of Research in Music Education, 2001
Presents results from a study that examined student assessments of their own musical abilities as related to compositional creativity. Focuses on nonmusic majors in a music fundamentals course for elementary education majors. Explains that the students were placed into high-,middle-, and low-creativity groups. (CMK)
Descriptors: Creativity, Educational Research, Elementary Education, Higher Education
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Hargreaves, David J. – Bulletin of the Council for Research in Music Education, 1999
Examines Marilyn Zimmerman's pioneering work on the applications of Piagetian theory to the study of children's musical development. Discusses "music conservation" and addresses the Piagetian model regarding (1) the implications of the sociocultural perspective and (2) the study of musical creativity. Develops the concept of…
Descriptors: Child Development, Cognitive Development, Creativity, Developmental Stages
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Wiggins, Jacqueline H. – Bulletin of the Council for Research in Music Education, 2000
Draws on six instances in which students were engaged in improvisational musical composition with peers and/or a teacher in music classroom settings. Offers an analysis of the creative process and product. Discusses the findings and the role of shared understanding in empowering independent musical thinking. (CMK)
Descriptors: Classroom Research, Creative Expression, Creativity, Educational Research