Thomas Sayers Ellis, assistant professor of creative writing at New York's Sarah Lawrence College, is one of many scholars fighting for the soul of Black poetry, a struggle that takes place largely off-campus. Unless one is accepted into a top-level graduate poetry program, such as Boston University's program or the Iowa Writing Workshop, a poet's…

The "writing workshop" approach to teaching creative writing, virtually unchallenged throughout the United States, has recently come under fire. Two schools of thought, while agreeing that the traditional workshop needs a thorough overhaul, differ in approaches to that overhaul. One approach, using the theories of Harold Bloom, argues…

Creative writers have moved into the mainstream of English departments without understanding or reviewing their own history, and without reconceptualizing graduate and undergraduate creative writing programs. Such a history can be constructed from sources in three areas: institutional history, creative writing history, and rhetorical history. An…

Designed to be a practical, comprehensive, and illuminating guide for both new and experienced teachers, this book confronts the challenges of the writing workshop head-on, with chapters on all aspects of the writing workshop, including: day-to-day instruction, classroom management, the development of writing identities, and the tone of workshop…

Increased attention on written response to literature has tended to eliminate other forms of student writing in literature classrooms. However, when we allow students to write fiction unrelated to a particular text, their commitment to and understanding of texts are enhanced. This can serve as a means of engaging students with reading. Eight…

Recounts the details of a 2-week summer writing institute for students from grades 3 to 12 that incorporates peer response and revising into civic and creative writing. (MG)

After a brief review of the history of college writing instruction, this book examines the undergraduate creative writing workshop. The book attempts to reweave the currently separate strands of college-level creative writing instruction and composition instruction in the belief that developments in these perhaps artificially separated areas can…

Discusses the complicated role of the published writer in academics. Suggests that the writer teaching in a university setting has a similar goal to the academic: to illuminate the human experience. Asserts that the writer undertakes this mission in a creative, unstructured way, whereas the academic does it traditionally and often as a critic.…

Since instruction in writing theory and pedagogy for preservice teachers is often limited, it is essential that teacher educators provide learning experiences that are supported by research in effective teacher preparation and make maximum impact in the time available. One of the experiences that has been identified as holding promise for…

Intended for both experienced and novice K-12 teachers, this book invites teachers to bring new life into the reading-writing workshop and calls for teachers to push back the frontiers of their thinking about teaching writing and reading. The book includes chapters on establishing courses of study in which children read and write memoir, picture…

A journalist describes her experiences teaching writing skills at a week-long, high school arts and literary festival on the Crow Reservation and discusses how relating her own story stimulated interest and how a range of activities--walks, readings, discussions, observations and short writings on odd-shaped pieces of paper--lead to final…

In recent years there has been a growth in demand for undergraduate creative writing courses, but it is striking how unprepared students are for such courses. Many undergraduates are simply and naively "into self-expression" as if it required no prerequisites and nothing more than getting it onto the schedule at registration.…

Describes one teacher's approach to process writing, a mainstay for Montessori adolescent classrooms. The premise of the method is that everyone has the natural potential to write and that the emergence of the inner voice must be nurtured by extended conferencing and revision combined with taking risks, experimenting, and continually revising.…

This book remaps theories and practices for teaching creative writing at university and college level. This collection critiques well-established approaches for teaching creative writing in all genres and builds a comprehensive and adaptable pedagogy based on issues of authority, power, and identity. A long-needed reflection, this book shapes…

Intended for both beginning teachers and experienced teachers, this book offers a detailed plan for organizing a successful writing classroom. The book presents teachers with many new approaches for interacting with students and their writing. Following a foreword by Russ M. Burkhardt and an introduction chapters in the book are: (1) The Ten-Day…