Man does several things with the arts: He observes them, he executes what someone else has created, and he philosophizes about them. (JB)

Organizational barriers to creativity are examined. It is noted that resistance to change is a major impediment to creative problem solving in most organizations. Understanding the barriers to change that exist is viewed to help people exercise and develop their creativity more fully and effectively. (MP)

Describes the rise of musical notation in the West, showing the relationship between that development and the origin of music literacy in China. Suggests that the balance of oral and literate means of music learning may foster creative expression in performance. Encourages the study and practice of orality in the training of young musicians. (LS)

This paper examines the relationship between creation and destruction in the creative process. Findings from a study involving 60 actors and 60 criminals/delinquents (ages 10-65) indicate that the 2 populations are similar in their ability to use the creative process but criminals/delinquents do little productive with their ability. (Author/JDD)

Teachers can encourage youngsters to express their ideas creatively by providing help in three areas--content, language, and process. In terms of content, children often have few resources for tapping their thoughts, and may need 'pump primers' such as being told the beginning and end of a story and speculating about a variety of middles. Once…

A discussion of ways an adult can encourage and participate in a child's self-expression through movement and dance. (BD)

Analyzes a Henry James short story and his notes on the process used to create it and then, as an aid for students in creative writing courses, formulates a scheme describing the creative process used for developing a written work. (TO)

Describes the problem a creative writer faces when he is associated with only one type of story. (RB)

Within some students, creativity lies like a seed seeking nurture and friendly environment. As an organizing, directing, confining presence, the college can stifle creative impulse and destroy its energy. Teachers should be sensitive enough to recognize creative spirit, and tactful enough to keep it alive. (AD)

Argues that an English teacher should not be so concerned with permitting students' creative expression that he neglects nurturing their critical, evaluative skills. (RD)

Six practicing artists were interviewed about how they overcome creative blocks. Their responses indicated that feelings of self-doubt, fear, and depression accompany blocks but that relaxing and working on new directions and playing ideas off a supportive person helped to overcome such blocks. (DB)

Examines the role of creative expression in educational practices. Briefly outlines the work of educational leaders, including Mihaly Csikszentmihalyi, Howard Gardner, and Robert Sternberg, who are proponents of multi-faceted learning and creativity. Considers strategies for educational approaches that involve more creative invention, problem…

This paper attempts to make explicit some assumptions about the creative abilities of people with developmental disabilities, and offers constructive strategies for replacing negative ideas and attitudes with positive attitudes. The paper points out that: a high degree of artistic ability can coexist with considerable impairments in other areas of…