Schools can promote creative thinking by focusing on aesthetics, purpose, mobility, objectivity, and intrinsic motivation and by encouraging students to work at the edge of their competence. All elements of knowledge can be presented as the products of design, involving purpose, structure, model cases, and arguments. (TE)

Statistical findings based on some 200 research measurements made over a two-year period on students in a four semester program in Creative Studies at Buffalo State University College. (CB)

Identifies four characteristics of the creative endeavor: (1) musical imagination; (2) model of the creative process; (3) measures of creative aptitude; and (4) the observation of creative behavior. Examines the role of technology in creativity, and contends that creative thinking can be measured. Includes suggested readings. (RW)

Argues that the cognitive mechanisms in human creativity are, for the most part, sighted rather than blind. Reviews attempts to apply evolutionary ideas to psychology and argues that these ideas do not apply to the psychology of human creativity. An alternative sighted-variation framework is then proposed. (Author/CR)

The article suggests that creativity is the interaction of external and internal input, resulting in a unique, purposive, and communicable product. Facilitation of creativity is considered. (CL)

Freudian and Jungian theories are considered in terms of poetry, and suggestions are made for teaching the basics of poetry to adults for creative development. Focusing and free association activities are discussed. (CL)

The article examines the concept of creativity from a philosophical point of view and discusses how to teach creativity through humor and metaphor. (Author/DLS)

This paper suggests that there are ways to organize the literature, both within music and in related fields of study, so that the interested professional can engage in an active organized study of creative thinking in music. There are also ways of defining musical behaviors that are indicative of creative thinking in children as well as adults.…

Creativity can be considered a function of knowledge, imagination, and evaluation and usually programed instruction is thought to be detrimental to creative behavior since the material is highly structured and the responses are usually restricted. However, this need not be so, for one seed of creativity, student control, is inherent in programed…

Significant, though moderate, correlations between some of the verbal creativity measures and the selective attention variables were found, though this relationship changed as a function of age and the type of creativity measured. (DLS)

Creativity has become a buzzword in UK culture in the twenty-first century and is in increasing demand across many spheres. In education, its usage is often generic and has become ever more widespread as it has found its way into a plethora of government documentation pertaining to primary schools over the last decade. However, with a continued…

The purpose of this study was to determine if the use of classroom activities to enhance children's imaginations could improve their creative abilities. Subjects included 25 fifth-grade students in the Grand Forks, North Dakota, school district. Students were given the Torrance Tests of Creative Thinking and were provided with materials designed…

Two issues were investigated: (1) Are parents able to recognize creativity in their children? and (2) Are teachers able to recognize creativity in their pupils? Subjects were 68 elementary school children, their parents, and teachers. The children attended 22 schools, grades 1-4. Creativity was assessed by the Torrance Test of Creative Thinking…

Parents differing along a concreteness-abstractness dimension of conceptual development, as defined by the model of Harvey, Hunt, and Schroder, described their attitudes and practices regarding their children's home play environment. This was done using structured questionnaires. Potential creativity of the 3- and 4-year-old children themselves…