Describes a year-long project, the "Met Life Project," in which high school students collaboratively wrote and produced an original theater piece. (SR)

Discusses problems of collaborative writing. Introduces the "collage" as a teaching activity and lays out directions for its use. Suggests several methods for helping solo writers get comfortable collaborating with other writers and improve their solo writing. Attempts to make collaborative writing easier, more inviting, but more complex, and…

Online discussion can be designed to develop the skills and confidence of students as well as providing an opportunity for constructing knowledge. If students decide not to participate or join too late, they put their own development and the quality of the learning community at risk. This article reflects on a first term undergraduate experience…

A study examined the role of critical reflection in one particular writing context--that of collaborative planning. Subjects, 22 college freshmen enrolled in two core composition courses, were audiotaped as they planned course papers with a peer. Students formed pairs each consisting of a "writer" and a "partner" (supporter).…

Takes up a number of issues related to collaborative writing and co-authoring and reflects on their meaning. (TB)

Outlines the Cooperative Integrated Reading and Composition (CIRC) program, a sequenced and structured reading/language arts program used by elementary level students at Bracher School in Santa Clara, California. Describes several cooperative reading and writing activities used in this program. (MM)

Reports on the results of survey research designed to determine how students feel about peer assistance and group writing. Finds that results were generally favorable, although more problems surfaced regarding collaborative projects than peer criticism. States that statistical analysis of objective and open-ended items yielded suggestions for…

Describes an advanced composition course involving individual projects which encourage collaboration. Outlines the class, describes how selected students have responded to different elements of it, and comments on what the teacher has learned from it. (SR)

Presents an initial minicollaboration exercise with which to begin collaborative projects. Notes that students discuss how to respond to a range of comments and concerns of prior students to collaboration, thus shifting learning and discovery to students from the very first step. (SR)

Describes the recent integration of a critical pedagogy within the field of composition studies, especially regarding collaborative learning and difference. Discusses one writing class and how collaborative groups negotiated their differences. Shows how issues of difference affected or created problems within groups. (HB)

Examines female leadership emergence in small groups whose primary task is collaborative writing tasks. Shows how perceptions of leadership depend on both oral and written enactments. Outlines the relationship between the task of writing and the role of the leader in collaborative writing groups. (HB)

Describes the pros and cons of using collaborative writing assignments in the English classroom. Gives one teacher's experiences using collaborative writing in a college prep composition course. (HB)

Describes a collaborative writing assignment devised for a first-year composition class. Outlines how the assignment was undertaken and carried out by the students. Provides background on the theoretical literature concerning collaborative writing. (HB)

Describes the arrangements for collaborative writing in an urban elementary classroom. Suggests a more complex view in contrast to typical descriptions of collaboration. Discusses a view that includes a range of ways for students to participate in writing together. Describes the ways students responded to opportunities for collaboration. (SG)

Reviews selective research on collaborative writing and then shows how group dynamics and peer review techniques can be integrated into classroom group writing projects. (TB)