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Corbalán, Mara; Pérez-Echeverría, M. Puy; Pozo, Juan-Ignacio; Casas-Mas, Amalia – International Journal of Music Education, 2019
Current research on choral practice has studied various aspects of interpretation and different strategies for improving rehearsal. This article considers the amateur choral rehearsal as a setting for teaching and learning music. It analyses choir conductor profiles that may be related to conceptions of teaching and learning and their possible…
Descriptors: Singing, Musicians, Administrators, Music
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Yucetoker, Izzet – Eurasian Journal of Educational Research, 2016
Problem Statement: Johann Sebastian Bach is one of the leading composers of the baroque period. In addition to his huge contributions in the artistic dimension, he also served greatly in the field of education. This study has been done for determining the impact of visual memory-based memorization practices in the piano education on the visual…
Descriptors: Memorization, Visual Perception, Music Education, Musical Instruments
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Diaz, Frank M. – Psychology of Music, 2013
This study investigated the effects of a brief mindfulness meditation induction technique on perceived attention, aesthetic response, and flow during music listening as measured by Continuous Response Digital Interface (CRDI) and questionnaire. Participants were students enrolled in music classes or ensembles at a comprehensive university in the…
Descriptors: Music Education, Music, Aesthetics, Questionnaires
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Ward-Steinman, Patrice Madura – International Journal of Music Education, 2014
Thirty vocal improviser-educators from Australia (n = 15) and the United States (n = 15) were surveyed for musical background, influences and pedagogical views, and assessed for personality type using the "Myers-Briggs Type Indicator" ("MBTI"). The purpose was to both combine and compare the two groups to identify overall…
Descriptors: Foreign Countries, Music, Music Education, Music Teachers
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Allen, Robert – Psychology of Music, 2013
The purpose of this study was to compare the levels of anxiety that students experienced according to whether their public performance consisted of a free improvisation or a repertory piece. The researcher had two objectives: (1) examine the relationship of students' levels of anxiety to free improvisation and repertory pieces during a…
Descriptors: Anxiety, Music, Creative Activities, Video Technology
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Lychner, John A. – International Journal of Music Education, 2008
The purpose of this study was to examine aesthetic response to music experienced with and without video--in this case a video produced with a variety of images and not a video of a live performance. The participants (N = 64) were undergraduate and graduate students at a comprehensive university. The aural-only and aural with visual conditions were…
Descriptors: Graduate Students, Music, Musicians, Aesthetics
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Welch, Graham; Papageorgi, Ioulia; Haddon, Liz; Creech, A.; Morton, Frances; de Bezenac, C.; Duffy, Celia; Potter, John; Whyton, Tony; Himonides, Evangelos – Research Papers in Education, 2008
Educational and psychological research suggests that gender and musical genre can influence musical learning and the development of musical identities, particularly during adolescence. However, there is a relative paucity of educational studies in higher education (HE) concerning the possible impact on musical learning of gender and musical genre,…
Descriptors: Music Education, Higher Education, Gender Differences, Influences
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Creech, Andrea; Papageorgi, Ioulia; Duffy, Celia; Morton, Frances; Hadden, Elizabeth; Potter, John; De Bezenac, Christophe; Whyton, Tony; Himonides, Evangelos; Welch, Graham – Music Education Research, 2008
The research project "Investigating Musical Performance: Comparative Studies in Advanced Musical Learning" was devised to investigate how classical, popular, jazz and Scottish traditional musicians deepen and develop their learning about performance in undergraduate, postgraduate and wider music community contexts. The aim of this paper is to…
Descriptors: Music Education, Music, Musicians, Comparative Analysis
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Hargreaves, David J.; Purves, Ross M.; Welch, Graham F.; Marshall, Nigel A. – British Journal of Educational Psychology, 2007
Background: The Western classical training of many secondary music specialist teachers may be inappropriate for the demands of the contemporary secondary school classroom, leading to a conflict between their self-concepts as "musicians" and as "teachers". Aims: To undertake a short-term longitudinal comparison of the developing identities and the…
Descriptors: Specialists, Musicians, Identification, Attitude Measures
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Holahan, John M.; Saunders, T. Clark; Goldberg, Michael D. – Journal of Research in Music Education, 2000
Investigates the development of tonal pattern discrimination in 24 college musicians, 24 college nonmusicians, and 38 children in the first grade. Demonstrates that college nonmusicians were no more accurate although they responded to some item types faster than the first-grade group. Includes references. (CMK)
Descriptors: College Students, Comparative Analysis, Educational Research, Elementary School Students
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Mills, Janet – Psychology of Music, 2006
We focus on the music students at a conservatoire (A) that only trains performers and composers (performers/composers); a conservatoire (B) that also trains classroom teachers (education students); and a university (C) with only education students. We used a questionnaire to compare the experience and beliefs as instrumental teachers of the…
Descriptors: Music Education, Beliefs, Student Experience, Questionnaires