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Jones, Matt; Goldstone, Robert L. – Journal of Experimental Psychology: Human Perception and Performance, 2013
Diverse evidence shows that perceptually integral dimensions, such as those composing color, are represented holistically. However, the nature of these holistic representations is poorly understood. Extant theories, such as those founded on multidimensional scaling or general recognition theory, model integral stimulus spaces using a Cartesian…
Descriptors: Perception, Holistic Approach, Learning, Models
Pfordresher, Peter Q. – Journal of Experimental Psychology: Human Perception and Performance, 2008
Past research has suggested that the disruptive effect of altered auditory feedback depends on how structurally similar the sequence of feedback events is to the planned sequence of actions. Three experiments pursued one basis for similarity in musical keyboard performance: matches between sequential transitions in spatial targets for movements…
Descriptors: Music, Auditory Perception, Feedback (Response), Auditory Stimuli
Honing, Henkjan – Journal of Experimental Psychology: Human Perception and Performance, 2006
Perceptual invariance has been studied and found in several domains of cognition, including those of speech, motor behavior, and object motion. It has also been the topic of several studies in music perception. However, the existing perceptual studies present rather inconclusive evidence with regard to the perceptual invariance of expressive…
Descriptors: Music, Schemata (Cognition), Internet, Time
Calvo, Manuel G.; Lang, Peter J. – Journal of Experimental Psychology: Human Perception and Performance, 2005
The authors investigated whether emotional pictorial stimuli are especially likely to be processed in parafoveal vision. Pairs of emotional and neutral visual scenes were presented parafoveally (2.1[degrees] or 2.5[degrees] of visual angle from a central fixation point) for 150-3,000 ms, followed by an immediate recognition test (500-ms delay).…
Descriptors: Semantics, Pictorial Stimuli, Vision, Eye Movements

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