Argues that when the comic world or worlds" are examined as independent entities . . . useful information about comic character, plot, and setting" can be obtained. (Author/SW)

Focuses on the traditional comic acting style that prevailed in England from 1820 to 1840 by examining the acting of the commedienne whose sixty-year career spanned the first half of the century. (MH)

This paper discusses generally Neil Simon's plays; specifically examines "God's Favorite,""Plaza Suite,""Barefoot in The Park,""Star Spangled Girl,""Come Blow Your Horn," and "Last of the Red Hot Lovers"; and quotes reviews of the plays. An examination of the composition of the plays…

Discusses Chaplin's use of satire in his films "Modern Times,""City Lights," and "Limelight" and how these were perceived and misunderstood by his audiences. (JMF)

Lenny Bruce's contribution was to broaden the range of material publicly accepted as humorous. (JH)

Examines the character of Pippi Longstocking, created in the 1940s by Swedish author Astrid Lindgren. Argues that Pippi is a kind of clown-magician, courageous, exuberant, and unflappable. Shows how, by living life on her own terms, Pippi's comedy both subverts the trappings of adult society and affirms the possibility of a better world. (SR)

A discussion of the manner in which blacks are portrayed in television drama and comedy. (HB)

A discussion of the manner in which blacks are portrayed in television drama and comedy. (HB)

Discusses the dual image of circle and center, suggesting perfection, Harmony, and equilibrium, as an organizing principle of all Ben Jonson's works. (DS)

Compares two Marivaux works: the novel of 1735, "Le Paysan parvenu" ("The Upstart Peasant") and the one-act comedy, "La Commere" ("The Gossip") not previously published until 1966. Questions, by analyzing the character portrayals, whether the discovered manuscript was penned by Marivaux. (DS)