The cognitive processes involved in understanding aesthetic Principles are discussed. (CK)

Various human mental activities are examined, a theory of brain function presented, and the possible nature of the ultra-intelligent machine" suggested. Some of the social repercussions of such machines are briefly discussed. (AL)

Results indicated that statistically significant but small relationships appear to exist between the areas of auditory and visual imagery vividness and the creativity components of elaboration and total creativity. (CL)

A comparison is drawn between acquiring linguistic skills and acquiring creativity. It is suggested that aesthetic values have to be taught, that literalism has an important function in artistic development, that media can help to control and direct a child's attention, and that formulas impart a necessary competence. (Author/KC)

This article developed out of a belief that our great hope of building a peaceful, brilliant world civilization, based upon the best that all the great cultures can offer, lies in the vast potentiality of creative ideas expressed in terms of a sane international policy under the leadership of the world's statesmen. (Author)

This article reinterprets the philosophy of Taoism and applies it to creativity. Taoistic cognition is described as intuition or personal knowledge. Taoistic creativity is explained as involving incubation, syntectic thinking, and the unification through opposites. Dialectical thinking, Taoistic meditation and intuition, and symbolic thinking are…

Examines alternative views of creativity. Considers creativity as a function that is structured linearly. Discusses creativity research that obviates meaning implied in the ways in which one accounts for experience. Notes that, in the present conception of creativity, traits that exist in combinations influence the production of creative actions.…

As codirector of Harvard University's Project Zero, David Perkins has conducted long-term research programs on creativity, problem solving and reasoning, and learning in the arts, sciences, and everyday life. He explains a new program designed to help teachers connect thinking strategies with subject matter, so that students can better manage…

Highly creative children (n=100) and uncreative children (n=100) were selected from 1,450 fifth- and sixth- grade students. Comparisons using data from the Torrance Tests of Creative Thinking revealed significant differences in terms of quantity and quality of primary process content. Girls gave more libidinal content and boys gave more aggressive…

Reviews literature on the transformational nature of creativity, in which the individual, during and after interacting with his or her environment, takes information provided by the culture and transforms it based on previous experience. Notes that young children can develop transformational ability through dramatic play in which they are involved…

This paper offers an extension of Graham Wallas' model of the creative process. It identifies periods of problem solving, incubation, and growth with specific points of initial idea inception, creative frustration, and illumination. Responses to creative frustration are described including denial, rationalization, acceptance of stagnation, and new…

This paper reviews research showing problem finding to be distinct from problem solving and research supporting the role of problem finding in intrinsically motivated creative performances. The paper concludes that problem finding represents a family of related skills, each of which seems to be influenced by cognitive and extracognitive factors.…

The author argues that "substantive" art integration harmonizes with contemporary postmodern thought in art education and represents a strategy for teaching art in a postmodern way. Bringing together theories from cognitive science and metaphor theory (specifically connection and projection), the author shows how substantive integration promotes…

In this study, an analysis of the various theories of creativity was made to formulate guiding principles for teaching "creative rhetoric" in the secondary schools. The following basic assumptions were made: (1) Rhetoric is concerned with man's problems. (2) Rhetoric is a synthesis of the imaginative and rational processes. (3) Acts of rhetoric…

Researchers on creativity and psychology have long been fascinated with the high incidence of psychotic behavior amongst geniuses and individuals of exceptional creativity. The aims of this paper are first, to review the existing findings for a better insight into the socio-contextual factors underpinning the mad genius conundrum, and secondly, to…