Academic programs use objective and standardized assessment criteria. Music education programs have avoided such objective assessments via the assertion of subjectivity and aesthetics in music learning. In this article, the author introduces the revised Bloom's taxonomy as a tool to translate music education outcomes into objective educational…

Recent advances in neuroscience are highlighting connections between emotion, social functioning, and decision making that have the potential to revolutionize our understanding of the role of affect in education. In particular, the neurobiological evidence suggests that the aspects of cognition that we recruit most heavily in schools, namely…

The author presents three fragments from the art work of a class of American elementary school children to illustrate the imaginative power of children's thought and language.

This article addressed itself to the most important issue which exists for man: how to get in touch with the ground of being, the numinous element, without losing ego-consciousness. The writer discussed terms relating to this experience. (Author/RK)

A model of John Dewey's theory of reflective thought, as revised in 1933, is reviewed and its implications for the creative process explored. Reflective thought differs from random thought in its "chaining" feature, which entails a consecutive ordering so that each idea determines its successor while referring to its predecessor. (VW)

The idea that creative acts are quantum jumps in the brain's mechanism is explored. Descriptions of the creative process that support the central role of sudden and discontinuous leaps of thought are cited from various philosophers and scientists. Distinctions between the functions of the brain and of computers are drawn. (VW)

Speech made before a group of students on the subject of creativity based on author's own experiences as an entertainer, poet, songwriter. (CB)

Discusses research that challenges the view that creativity originates in the right side of the brain; advocates a broad but concise definition of creativity. (MAI)

Through randomness we create structure, and through structure we accommodate randomness. The structures we create have basic premises shared by all life forms and forces. These patterns are repeated and shared. Creative thinking has similar characteristics. (MSE)

Explores the use of conceptual combination in Stephen Donaldson's development of ideas for his fantasy books. Uses Donaldson's own account to illustrate the general principles of a creative cognition approach to understanding creativity and the role of the process of conceptual combination. Assesses links between Donaldson's and others' anecdotal…

The purpose of the research was to investigate gender similarities and differences in general creativity constructs with their preferences for creative persons. Data were collected from 247 participants (87 engineering, 24 psychology students with a psychology major, 51 psychology students with a major other than psychology, 30 English, and 55…

The purpose of this study was to determine whether creativity could be facilitated by a training method based on a salient characteristic of the creative individual, namely, his ability to synthesize elements from two disparate psychological entities: (1) visual experiences; and (2) emotional states. A four-session training program is described in…