In the first years of life, as children observe, imitate, and interact with people and their environment, the brain is structuring a foundation for vocabulary, values, cognitive processes, and social skills. Educators, you can help influence that development by teaching the skills and dispositions of intelligent, creative, effective decision…

The "Life Skills and Leadership Manual" is designed to be used by Peace Corps Volunteers and their counterparts who work with youth worldwide to develop the knowledge, skills, and attitudes integral to three Youth in Development sector competencies: (1) Support healthy lifestyles and prepare youth for family life; (2) Prepare youth for…

The newly updated "Content-Based Curriculum for High-Ability Learners" provides a solid introduction to curriculum development in gifted and talented education. Written by experts in the field of gifted education, this text uses cutting-edge design techniques and aligns the core content with national and state standards. In addition to a revision…

The author offers an instructional model to enhance the chances that incubation will occur in creative problem solving. Note: For related information, see EC 120 232-238. (CL)

Synectics, the making of analogies, was used with learning disabled high school seniors to provide them with a creative process that aids in developing a deeper understanding of literature. After studying Coleridge's "Rime of the Ancient Mariner," the students completed a six-step process and produced a short writing assignment. (VW)

Discusses the principles of art and provides activities that correlate art and reading and promote cognitive and affective development. (HTH)

Argues that teaching for poetic thought develops not only poets and lovers of poetry, but also readers, dreamers, and doers. Offers suggestions on how it is done.(FL)

Composition is not a straightforward, linear process; it involves a creative search for meaning that becomes clear only as the writer engages in the composing process. This suggests that teaching not dwell on the correctness of the finished product. (Author/SJL)

Discusses the experiences of students as they try to turn pictures in their head into poetry. Describes how the poetry of popular music can provide stimulus for student poetry. (HTH)

Argues that imagery can play an important part in a variety of academic subjects. Provides instructions concerning the method by which imagery can be used in such diverse fields as the development of social skills, the identification of interests and career areas, and creative productivity. (FL)

This book provides an overview of the creative problem-solving process and exercises to put the process the work. The illustrated, reproducible pages guide students through each step of the problem-solving process by using evaluation grids to track their ideas, solutions, and plans. The activities can be used in a variety of ways including for the…

Discusses the role of chemical-equation problem solving in helping students predict reaction products. Methods for helping students learn this process must be taught to students and future teachers by using pedagogical skills within the content of chemistry. Emphasizes that solving chemical reactions should involve creative cognition where…

An experiment was conducted to test the hypothesis that recent theories connecting creative problem solving with cerebral specialization might explain why some writers compose much more effectively than others. Specifically, the experiment was designed to find ways composition teachers can help students to transform writer-based prose into…

This document outlines an approach to creativity called "developmental dramatics," in which process is considered to be infinitely more important than performance. "Four pillars of the foundation of learning" are explored in discussions of art and visual, music, movement, and make-believe activities. Basic guidelines for…

Proposes that teachers use their own writing as a teaching tool. Discusses both the left-brain logical, rational approach and the right-brain intuitive approach to invention and states that in composing their own methods and materials, instructors can stress both patterns of creativity by illustrating how each complements the other. (EL)