Pitch perception plays a more important role in emotional communication in English than in Korean. Interpreting the semantic aspects of pitch levels therefore presents a challenge for Korean learners of English. This study investigated how 49 Korean learners of English perceived 20 English emotional utterances. Participants were asked to complete…

Spoken words vary phonetically along a number of dimensions, such as duration, pitch, and vowel quality. Much of this variation is associated with social factors like the dialect, age, or gender of the speaker -- a type of variation termed 'socio-indexical'. Traditional theories of speech perception have seen this socio-indexical variation as a…

In spoken discourse, understanding irony requires the apprehension of subtle cues, such as the speaker's tone of voice (prosody), which often reveal the speaker's affective stance toward the listener in the context of the utterance. To shed light on the interplay of linguistic content and prosody on impressions of spoken criticisms and compliments…

Many approaches to early word learning posit that children assume a one-to-one mapping of form and meaning. However, children's early vocabularies contain homophones, words that violate that assumption. Children might learn such words by exploiting prosodic differences between homophone meanings that are associated with lemma frequency (Gahl,…

The current study lays the groundwork for a model of Mandarin tones based on both native speakers' and non-native speakers' perception and production. It demonstrates that there is variability in non-native speakers' tone productions and that there are differences in the perceptual boundaries in native speakers and non-native speakers. There…

Analysis of an intonational contour generally used to convey uncertainty about the appropriateness of some evoked scale or scalar value (as in "Anna may marry Manny") is extended to accommodate both uncertainty and incredulity interpretations. This paper proposes a more general account of L*+HLH%, based on an acoustic and pragmatic…