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Broughton, Mary; Stevens, Catherine – Psychology of Music, 2009
The experiment reported in this article investigated the assumption that visual movement plays a role in musician-to-audience communication in marimba performance. Body movement is of particular relevance here as the expressive capabilities of the marimba are relatively restricted, and the movements required to play it are visible. Twenty-four…
Descriptors: Audience Awareness, Nonverbal Communication, Audiences, Musicians
Dent, Frank L. – 1972
This is the seventh in a series of technical research reports by Harvard Project Zero which study artistic creation and comprehension as a means toward better art education. This study summarizes the content and practical procedures of a series of lecture-performances in different arts performed before a target audience. The lecture-performance…
Descriptors: Art Appreciation, Art Education, Art Expression, Audience Participation
Seidman, Steven A. – Educational Communication and Technology: A Journal of Theory, Research, and Development, 1981
Traces music's role in the development of motion pictures and discusses ways for instructional designers to increase the effectiveness of productions through using music. Studies showing that tempo, modality, rhythm, and harmony interact with audience characteristics to determine affective responses to media are reviewed. Extensive references are…
Descriptors: Attitude Change, Audiences, Auditory Perception, Educational Media
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Smith, Stuart – Music Educators Journal, 1972
To get our musical environment back under control, we're going to have to go outside of music and devise cultural strategies that will make music visible and audible again. (Author)
Descriptors: Audiences, Auditory Discrimination, Auditory Perception, Communications
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Holbrook, Morris B.; Bertges, Stephen A. – Communication Research--An International Quarterly, 1981
Developed a model and tested the following hypotheses: (1) esthetic features--tempo, rhythm, dynamics, and phrasing in piano performance--are accurately perceived by audience members and (2) such perceptual veridicality does not depend upon one's degree of education/training and is therefore shared by critics and audience members. (PD)
Descriptors: Audiences, Auditory Perception, Communication (Thought Transfer), Communication Research
Bamberger, Jeanne – 1974
Research in the development of musical perception is described. It is crucial to students' experience that they learn to bring to the surface those "invisible" ideas inherent in music development such as clapping a rhythm or singing a tune. In this way they learn to bridge the gap between intuitive knowledge and the representation of this…
Descriptors: Audiences, Auditory Perception, Behavioral Science Research, Creative Expression
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Pracana, Clara, Ed.; Wang, Michael, Ed. – Online Submission, 2016
We are delighted to welcome you to the International Psychological Applications Conference and Trends (InPACT) 2016, taking place in Lisbon, Portugal, from 30 of April to 2 of May, 2016. Psychology, nowadays, offers a large range of scientific fields where it can be applied. The goal of understanding individuals and groups (mental functions and…
Descriptors: Conferences (Gatherings), Educational Psychology, Clinical Psychology, Social Psychology