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Cherbo, Joni Maya; Peters, Monnie – 1995
Data gleaned from the 1982, 1985, and 1992 Surveys of Public Participation in the Arts (SPPAs) were used in this analysis of participation in opera and musical theater/operetta. Findings indicate that opera is the least popular of the fine arts, being the least frequented and the least selected as an activity respondents would like to attend more…
Descriptors: Audience Analysis, Audience Participation, Audience Response, Audiences
Abreu, Dan; And Others – 1987
Research presented in this report focuses on data obtained through the 1982 and 1985 "Survey of Public Participation in the Arts" and relates to musical theater, operetta, and opera attendance. The objectives of this study were to focus on those findings which might help opera or musical theater organizations attract and understand…
Descriptors: Art, Art Activities, Attendance, Attendance Patterns
Cwi, David; Smith, D. Alden – 1980
The research methods, procedures, and data for determining the impact of six fine arts institutions on the Columbus, Ohio, economy (1978) are outlined. A 30-equation model was used to identify a variety of effects on local businesses, government, and individuals. Researchers examined internal records of the six institutions as well as local,…
Descriptors: Arts Centers, Audiences, Community Characteristics, Cultural Centers
Cwi, David; Smith, D. Alden – 1980
The research methods, procedures, and data for determining the impact of 10 fine arts institutions on the Minneapolis-St. Paul economy (1978) are outlined. A 30-equation model was used to identify a variety of effects on local businesses, government, and individuals. Researchers examined internal records of the 10 institutions as well as local,…
Descriptors: Arts Centers, Audiences, Community Characteristics, Cultural Centers
Cwi, David; Smith, D. Alden – 1980
The research methods, procedures, and data for determining the impact of 10 fine arts institutions on the Springfield, Illinois, economy (1978) are outlined. A 30-equation model was used to identify a variety of effects on local businesses, government, and individuals. Researchers examined internal records of the 10 institutions as well as local,…
Descriptors: Arts Centers, Audiences, Community Characteristics, Cultural Centers
Cwi, David; Smith, D. Alden – 1980
The research methods, procedures, and data for determining the impact of five cultural institutions on the San Antonio, Texas, economy (1978) are outlined. A 30-equation model was used to identify a variety of effects on local businesses, government, and individuals. Researchers examined internal records of the five institutions as well as local,…
Descriptors: Arts Centers, Audiences, Community Characteristics, Cultural Centers
Cwi, David; Smith, D. Alden – 1980
The research methods, procedures, and data for determining the impact of eight cultural institutions on the St. Louis (Missouri) economy (1978) are outlined. A 30-equation model was used to identify a variety of effects on local businesses, government, and individuals. Researchers examined internal records of the eight institutions as well as…
Descriptors: Arts Centers, Audiences, Community Characteristics, Cultural Centers
Cwi, David; Smith, D. Alden – 1980
The research methods, procedures, and data for determining the impact of 10 cultural institutions on the Salt Lake City economy (1978) are outlined. A 30-equation model was used to identify a variety of effects on local businesses, government, and individuals. Researchers examined internal records of the 10 institutions as well as local, state,…
Descriptors: Arts Centers, Audiences, Community Characteristics, Cultural Centers
Gray, Charles M. – 1995
Data gleaned from the 1982, 1985, and 1992 Surveys of Public Participation in the Arts (SPPAs) were used in this analysis of participation in the arts via television, radio, and sound recordings. The arts examined were jazz, classical music, opera, musicals and operettas, plays, dance, and the visual arts. Selected findings are as follows: (1)…
Descriptors: Audience Analysis, Audience Participation, Audience Response, Audiences


