In the summer of 2009, this author devised a Saturday program with an emphasis on writing for publication targeting three students as his nucleus. One of the students, Mariano, was the only one of the three to accept the invitation. This was a strong indication of his passion for writing. Thus, three weeks before school began, the author and…

If we listen to them, the words of our students can provide a road map for instructional responses that meet their diverse literacy needs. In this article, Cara Gutzmer, a middle school literacy coach, and Phil Wilder, a teacher collaborator at the University of Illinois at Urbana-Champaign, discuss how a responsive teaching framework guided their…

Based on the belief that learning is deeper in meaningful contexts, Wilhelm makes a case for creating (authentically or simulated in the classroom) specific contexts that lead students into new identities, new perspectives, and new vocabulary. This is effectively accomplished by framing instructional units or curricular topics as inquiry,…

The "Literacy Cafe," a celebration of genre study and student writing, offers students (and visitors!) a positive environment in which to engage in reading and discussion of writing without self-consciousness or fear of criticism. It works because students learn to recognize writing as a learning tool and a relevant, authentic skill in the real…

Describes three fifth-grade students in the author's school who used humor in their writing assignments. Offers samples of their work and their observations about it. (SR)

Describes a group pioneering the process of "professional" publication of students' writing called Chapbooks.com. Discusses the author's experience with Chapbooks.com and three other "testimonies" from different schools. Concludes with an appendix of frequently asked questions about the website. (SC)

Describes how, after studying the Holocaust and other human-rights issues in their eighth-grade language-arts classes, students felt compelled to create a permanent memorial and reminder. Discusses how the project unfolded from finding and shaping an idea, collecting stories from around the nation, crafting the mosaic and the flower garden, and…

Describes a six-week poetry writing workshop for an eighth-grade class. Discusses getting started, two weeks of immersion in reading poetry, students writing their own poetry, creating a community of poets in the classroom, evaluation, students' poetry, and what the teacher learned. Notes that students gained a much richer understanding of poetry.…

Using children's picture books, Deborah Dean provided frameworks for student research papers that avoided the pitfalls leading to voiceless an encyclopedic writing. Research guide sheets; class analysis of text organization, sentence variety, stylistic choices; and peer review all contribute to interesting final papers. (Contains 2 figures.)

Argues that children are as deep as the ocean, with secret places inside of them waiting to be opened. Notes that it is powerful for students to learn they can make sense of the world through words, and describes inviting them into poetry as they read poetry, create poetry packets, and write and revise poems. (SR)

Describes why and what happened when a teacher changed from viewing English teaching as a value-neutral act to teaching what matters to her. Relates what she expects from the reading and writing workshop and how raising her own voice in terms of her passions and what she values has strengthened students' voices. (SR)

Describes the crisis that young women face--a kind of suffocation--at adolescence, calling it both developmental and cultural. Argues that responsive teaching, and regular, fast, expressive writing without evaluation about whatever is in their minds will help girls define what is most important to them and examine what is going on in their lives.…

Describes how the author's 6 middle school students living in a village in the Yukon, 100 miles off the road system just below the arctic circle, enthusiastically wrote stories or poems about their lives. The students shared their works via an online electronic conferencing system with students from the unimaginably different landscape of the…

"Zooming in" with a camera lens led students in Joan Berger's class to enrich their writing exponentially. Through class discussion of body language, along with the use of worksheets (provided), role-playing, modeling, and conferencing, one aspect of lively writing became a part of their writing repertoire. (Contains 5 figures.)

Discusses a quilt project in which ninth-grade English-as-a-Second-Language students wrote, drew, and talked about what they knew, remembered, and felt on the topic "Where I Came From," creating an anthology and a quilt. Describes how students' speaking practice, written language abilities, and self-confidence improved. (SR)