Argues that studying professional art critics can provide material for studying art criticism in the classroom. Focuses on the published work of Lawrence Alloway. Describes how his work covered a wide range of artists and movements and how he was politically proactive in promoting underrepresented populations of artists. (KM)

Questions the use of professional artists as appropriate role models for students learning about art making in the classroom. Examines a biography of one artist and reviews research on the psychological and social circumstances that facilitate art production. Suggests that the creation of those circumstances in the classroom would be complicated.…

Discusses formalist/universalist, personal response/ antiformalist, and pluralist approaches to aesthetics. Recommends using a pluralist approach because it accounts for the aesthetic principles of non-Western art forms. Discusses pluralism in art education and how the criteria of Western aesthetics are now being challenged by art educators. (KM)

Focuses on the outcomes of the Research Commission and Task Force Chairs of the National Art Education Association strategic planning meeting. Explains that the Commission and Task Forces developed a six-year, three-phase, research plan focusing on three primary areas: (1) research topics; (2) funding; and (3) dissemination. (CMK)

Traces the development of Australian art education through three main phases: (1) the hand-eye training period; (2) the creativity period; and (3) the studio discipline period. Identifies overseas influences for these developments. Suggests that at present a variety of factors have precipitated favorable circumstances for growth of visual arts…

Discusses a cognitive model that is an alternative to Jerome Bruner's spiral curriculum, developed and based on the metaphor that the mind's knowledge base is a lattice. States that the lattice metaphor offers an understanding of cognition but some questions still remained unanswered. (CMK)

Explores feminist pedagogy's liberating relevance to the theory and practice of contemporary art education, on the premise that feminism can ameliorate the marginal statuses of women, art, and education. Discusses feminism's impact on education, feminist pedagogy as an alternative instructional model with its emphasis in collaboration,…

Discusses the workshop for advanced (secondary) statistical analysis of the National Assessment of Educational Progress (NAEP) 1997 Arts Reports Card, attended by a team of arts researchers. Provides a discussion on the Arts Report Card, the secondary analysis, and an explanation of the database. Highlights implications for the field. (CMK)

Contends that postmodernism has influenced profoundly the direction of visual art in contemporary society. However, art education has not been affected by these social and philosophical changes. Summarizes components of postmodernism and defines connections between them and the art education field. (CFR)

Asserts that there is little research about preservice art specialist education. Reviews literature and questionnaire results and offers suggestions about research and practices for preservice art education programs. Recommends a carefully constructed research agenda on art teachers' knowledge about subject matter content. (CFR)

Asserts that traditional age-stage theory of visual art education is simplistic and misleading. Suggests that neoteny, the retention of juvenile-like traits in adults, may provide another means of linking human development to the visual arts. Concludes that the inherent neotenous aspects of art can make a contribution to successful aging. (CFR)

Maintains that assessment in the arts often is avoided in the early childhood years because it appears to be incompatible with a child-centered philosophy. Asserts that reflective assessment procedures can inform early childhood teachers about instruction in arts education. (CFR)

Presents gender issues in the context of a broad definition of art education. Reports on a study of the ability of 115 eighth- and 11th-grade students to assess critically gender stereotypes. Provides five recommendations for dealing with gender issues in the art education curriculum. (CFR)

Analyzes and compares the art education terms and concepts used to describe the visual properties of art objects to those used in computer graphics. Asserts that such paradigmatic differences exist between traditional design and computer media that a reevaluation of the shared terminology is demanded. (MJP)