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Bennett, Peggy D. – Music Educators Journal, 2005
Walk into any primary grade music class in the U.S., and you will likely hear teacher and students singing a musical greeting, such as "Good morning boys and girls" (sol-mi-mi-sol-sol-mi) and the response "Good morning Miss Purdy" (sol-mi-mi-sol-mi-mi). Since about the 1970s, teachers have been beginning and ending music class for young children…
Descriptors: Teaching Methods, Young Children, Sequential Learning, Learning Strategies

Kratus, John – Music Educators Journal, 1991
Discusses improvisation as a phenomenon. Offers suggestions for a learning sequence. Warns against allowing students to skip levels. Identifies developmental levels of improvisation as exploration, process-oriented, product-oriented, fluid, structural, stylistic, and personal improvisation. Urges that improvisation can and should be a meaningful…
Descriptors: Creativity, Elementary Secondary Education, Higher Education, Improvisation

Jordan-DeCarbo, Joyce – Music Educators Journal, 1986
Edwin Gordon took the sequential levels of learning outlined by Gagne and adapted them to audiation (the ability to hear music for which the sound is not physically present) and musical learning. His method of teaching music is discussed. (RM)
Descriptors: Classroom Techniques, Educational Philosophy, Educational Practices, Educational Principles