Presents a technical history of color microforms along with problems associated with their use, such as permanence and reading equipment. An analysis is then given of possible applications of color micropublishing, with a discussion of eight different categories of materials. (Author/CMV)

Addresses some lingering problems with production and use of color microforms, e.g., reliable microfilm emulsion, color temperature, and image fading; and reports on recent advances in color stability and accuracy and international efforts to standardize production. (MBR)

Examines the current state of acceptance and use of microformatted visual materials for serious research in art. Problems of resolution, color fidelity, permanence, and large audience image display are discussed against new trends in publication and distribution which together can increase the holdings and research capacity of institutions.…