Standards can aid educators as they work to produce strong student writers who can create meaningful and skillfully crafted authentic pieces of writing. This once-a-month, yearlong professional development program, conducted during the school day, shifted a district's kindergarten writing program to a writing workshop model that enabled the…

This article reports on a design experiment in which 4th grade bilingual students were invited to engage in new literacy practices of linking, multimodality, and design using only ordinary, concrete materials like ink, paper, tape, and boxes. The inquiry was undertaken in the midst of a unit of study on memoir in a writing workshop, under…

Uses visual images to open up spaces for imagination and to encourage children to go beyond the familiar during writing workshop. Shares ways to engage students with looking at the visual arts in order to write. Reflects on September 11. Explores the possibilities of the aesthetic response. (SG)

This article presents a case study of a kindergarten girl from a Bangladeshi immigrant family who demonstrates her multiliteracies as she negotiates the multiple demands of the mandated literacy curriculum. The case is drawn from a year-long ethnographic inquiry of the literacy practices and cultural models in a balanced literacy curriculum where…

Considers whether dramatic play with toys would be as important for beginning readers and whether it could be used to support their story writing. Discusses the introduction of toys to the writers' workshop. Considers how to reflect on the physical world as a source for story ideas. (SG)

Cauley's books about snakes demonstrate intentional and interesting decisions by a beginning writer. The conclusion states that learning to choose topics for writing in thoughtful ways is an important part of the curriculum in writing workshop.

This article illustrates not only how students with special needs grew as writers in an inclusive writing community, but also how a fourth-grade teacher systematically structured the learning environment and tailored her instruction to guide her students to develop as writers as well as to improve their language skills. (Contains 4 figures and a…

Considers how encouraging students to tell their own stories in their first languages as well as in English develops academic strategies and a sense of identity. Shares what the authors have learned about how to bring together two teaching disciplines that have sometimes followed separate tracks--the teaching of writing and the teaching of second…

Challenges two widely accepted ideas infused throughout many writers' workshops: deeply personal writing has transformative power in society; and all literacy is inherently political. Argues that being fluent in many written forms is the best way to provide students with a useful, lifelong tool. (SR)

The different ways of creating space for teaching writing and for test preparation as well the tension a teacher undergoes of implementing a writing workshop approach within a school context focused on high-test scores are described. The findings suggest maintaining teacher autonomy and surviving the high demands imposed upon teachers.

Discusses how children move from personal to social narratives in writing workshops to create stories as tools for social action, addressing inequities in their school lives. Considers how social narratives can be used as tools for constructing and analyzing shared social worlds. (SG)

Addresses three questions: (1) what individual paths lead selected nonmainstream writers from the "Tenderloin" inner-city area of San Francisco to their craft; (2) how the contexts and relationships with the community support the growth of written expression; and (3) how this support affects individual and community growth. (MG)

Continues an exchange begun with the authors' April 1991 article in the same journal about a writers' workshop in one author's elementary school classroom. Describes her continuing process of questioning and strengthening a workshop approach to writing instruction. (SR)

Discusses three problem areas that frequently develop when process writing is implemented in the classroom. Discusses problematic practices and suggests positive alternatives. (SR)

Draws on research in a fourth-grade classroom to show that teachers can teach composing strategies that encourage a variety of ways of interacting socially while writing. Shares various views of social interaction and student choice in writing classrooms as a way of establishing support for exploration of the social interactions that occurred in…