The article describes basic processes children use to create and imagine, examines the significance of objects in this growth, and shows ways in which objects can serve creativity (exploring, repeating previous actions, replicating, and transforming with objects). (CL)

Research is reviewed that indicates that originality and creativity may increase after mundane or noncreative responses are given. Note: For related information, see EC 120 232-238. (CL)

The author reviews the importance of creativity training for children and discusses a project in which three types of metaphors (the direct, the personal, and the integrative) were used to foster creative thought. Activities emphasized sensory expression through predivergent, exposure, conversion, postdivergent, and expresson phases. (CL)

The author discusses obstacles to creative thinking in secondary and college students, and stresses the importance of shifting the emphasis from finding solutions to recognizing problems, and realizing that nothing one can learn is irrelevant. (CL)

Theories on the variability of creativity in individuals are discussed and related to the development of creativity in the classroom. (SBH)

Although creativity courses in the academic community often are not taken seriously, they can and should be a transformational journey for the student, involving exciting but sometimes painful unlearning of old structures and development of new conceptual systems. (DB)

Of 37 13- to 17-year-old students participating in a creative theater class, the ones with more experience scored significantly higher on creativity tests (Torrance Tests of Creative Thinking and Something About Myself Checklist) than their less experienced counterparts. (CL)

Unique experiences of transcendental levels of awareness are examined relative to theories of Maharishi Mahesh Yogi, Plato, and C. Jung; autobiographical reports by geniuses of their creative processes; correlations measured between transcendental experiences, physiological functioning creative ability; and the effect of these experiences on…

This paper explores connections between Kirton's Adaption-Innovation Theory of cognitive style and Koestler's bisociative theory of the creative act. The three Kirton factor/traits (sufficiency of originality, efficiency, and rule/group conformity) are integrated into Koestler's conceptual framework of the creative act which stresses the creation…

This study, with 46 college students, found that participation in exercise, music, and exercise with music increased fluency aspects of creativity but not originality or elaboration. (DB)

This study reports creativity policies and practices used by Central Florida corporations. Survey responses (n=105) indicated that businesses are using a variety of creativity techniques with usage greater among the newer companies but that these techniques are not yet a formal part of business operations. (DB)

This article proposes that transcendence, the mystical nature of creativity, is not only sequential but a subset of the evolutionary process. Deliberate application of the principles of Darwin's theory is seen as speeding and improving the creative process for both individuals and groups. The importance to creative thinking of randomness processed…

The author quotes passages from the first two chapters of "Genesis" to support four hypotheses such as that the stages of creative process do not occur systematically but are reported in orderly sequence. (MC)

The author describes three techniques for developing conscious awareness of the responses and behaviors of the right parietal lobe through describing a right brain related impression aloud in sensory image terms of color, shape, and texture. (CL)