The idea of a "creativity crisis" is widely accepted in the creativity and education literature. Its popular interpretation as a decline in creativity across generations originates from Kim's (2011) influential analysis of the re-norming data in the Torrance Tests of Creative Thinking (TTCT). The present work offers a critical review and…

The term "creative" is commonly used in everyday language and in academic discourse to discuss the nature of artistic and innovative productions. This usage inherently implies the existence of a variable of creativity that allows different creative works to be compared. The standard definition of creativity asserts that a production must…

Although the first research on the creative process was based on interviews with the aim of identifying the main stages (macro-process), in the last 50 years researchers have focused more on the analysis of micro-processes, i.e., the mechanisms underlying the generation of ideas. This interest in the micro-processes is partly a result of the tools…

The past 50 years have seen a tremendous strengthening of the field of creativity studies. Developments over the past couple decades, in particular, have led to a burgeoning science of creativity. But major methodological and substantive issues remain and must be addressed in order for the science of creativity to reach its potential to improve…

In our 2010 "Annual Review" paper, Teresa Amabile and I argued that a virtual explosion of topics, viewpoints, and methodologies had muddied the investigative waters. Few, if any, "big" questions were being pursued by a critical mass of creativity researchers. Instead, investigators in one subfield seemed entirely unaware of…

In considering an ethnographic perspective on creativity research, this article briefly discusses and reviews sample studies on (1) the cultural context of creativity, (2) creativity and cultural transmission and transformation, and (3) creativity in the context of cultural anthropology. (DB)

This research investigates the relationship between creativity as a cognitive process and the level of moral reasoning as well as the relationship between moral reasoning level and various combinations of creativity and intelligence. (Author/RK)

The author argues that the scientific method, as it is commonly understood, is a myth. (BD)

Attempts criterion validation for divergent production tests. Inherent in this attempt is the goal of attaining construct validity for the Divergent Production section of the Structure-Of-Intellect model. (Author/RK)

Findings here indicate that an inventory can be constructed for a wide age range of elementary school children which can predict creativity. GIFT is easy to administer and score, and correlates with a composite creativity criterion, art teacher nominations, and scores on a Uses test. (Author/RK)

The major objective of the present study was to investigate the effect of group size on total fluency, flexibility, and originality of response to problem solving tasks and its effect on average per person fluency, flexibility, and originality. (Author/RK)

Guilford's (1967) divergent production tests and Wallach and Kogan's (1965) associative creative thinking tests are designed to measure abilities central to the creative process. However, results with these two batteries have been used to support alternative conceptions of creative ability. This research makes a beginning at studying these tests…

This article suggests the importance of evaluating creativity and innovation at the contextual level of society and proposes a methodological design to do so. Some of the difficulties of such an approach are identified and conditions of its feasibility are outlined. (Author/CR)