Discusses the pedagogical consequences that follow from distinguishing invention from prewriting. Contrasts the importance of stasis in invention, and the resulting importance of writing with an audience in mind, with prewriting techniques that merely direct students toward exploring a topic without reference to an audience. (RL)

Argues that, in understanding creativity and the process of composing, it is helpful to think in terms of the metaphysical concept and while polar opposites appear to be contradictory, they are part of the same whole. Suggests some polarities that help in understanding the creative process in writing. (TJ)

Argues that students need invention strategies as well as introspection to collect information and make sense of it, but they also need instruction in discriminating among invention strategies and help in choosing the best strategy for a given writing task. Three overlooked strategies are research, collaboration, and form. (RS)