Several commentaries on Howard Gruber's paper, "The Evolving Systems Approach to Creative Work," are offered: "How High Should One Climb to Find Common Ground?" (Robert Albert); "Where is the Evolving Milieu?" (Mihaly Csikszentmihalyi); "Creativity: The Individual, The Systems, The Approach" (Todd Lubart and Robert Sternberg); and "Quality and…

In this article, the author focuses on the development of a young poet from Bulgaria, Indiana Pehlivanova, who experienced an explosive growth as a poet. Activating memory, myth, and reality, Pehlivanova's imagination wove together what the author terms as "the finest lines I have ever witnessed in youth poetry."

In this article, the author first explains what an authors gallery is and suggests additional uses and modifications. Next, readers are taken through a day-by-day description of creating the gallery while having the theory behind this pedagogical choice explained. The step-by-step discussion is supported with student examples and concepts drawn…

The article describes the life and work of E. Paul Torrance, long associated with gifted education. His career is traced and his beliefs in the importance of identifying and developing creativity are discussed. (CL)

The article describes the Creative Inventory, a means of finding out the conditions under which creative potential is liberated. Exercises to discover these conditions are described and it is suggested that they can be beneficial for older children. (Author/CL)

Provides a definition of creative thinking and describes the objectives, design, and outcomes of creative thinking workshops. Gives examples of workshop exercises intended to encourage self-confidence, curiosity, and risk taking, which in turn influence the ability to tap one's potential for creativity. (SK)

Qualities of the creative mind are documented, including the ability to: let ideas come rather than chase after them, get in touch with the absurd, keep goals in sight, take ideas to the next stage, and have dialogue with intuitions. Inhibitors of creative growth include bottom-line thinking, cynicism, labeling, and outcome anxiety. (JDD)

The practicum report describes an effort to provide enrichment materials for kindergarten students whom classroom teachers identified as potential entrants for the gifted program. Two miniworkshops were conducted to familiarize teachers with identification and enrichment activities. Targeted students received enrichment attention both within and…

With the encouragement of parents and teachers, many young people would raise more questions than they typically do about nature. Examples of questions about animals which might lead to creative, thought-provoking discussions and explorations are offered. (CB)

The author reviews experiences in gifted education and discusses the background and implications of the multiple talent theory. He recommends increased future emphasis on creative talents and leadership talents. (CL)

Creative movement teachers review the historical background aims of the field and describe an approach which explores the resistance to actualizing the dance. Ways in which creative movement is used with young handicapped children are described in terms of structure, curriculum, and individuality. (Author/CL)

A cemetery unit offers opportunities for gifted students to use higher-level thinking skills as well as creativity. Activities are suggested for three phases of the unit: introductory, developmental, and culminating. (CL)

Modern playgrounds provide a system of linked play modules used with creative accessories to yield a series of interaction options for children. These designs offer opportunities for physical development, mental enhancement and imaginative play, and they are easy to maintain. (JD)

Early in her life, Nancy King discovered that stories are rich sources of wisdom, imagination, creativity, and comfort. In this essay, King describes her personal experiences developing and using the collaborative storymaking process with young people and adults in various school settings. The author states that collaborative storymaking…

The paper describes the aims and implementation of Future Problem Solving Programs (FPS) initiated by E. Paul Torrance. It provides guidelines for teachers who wish to develop FPS in their schools and gives a list of useful resources. Stages of implementation are described and reactions of participating pupils are quoted. (Author/CL)