Improvisation-based exercises may be the key to unlocking students' innate musical creativities. This article focuses on two exercises--drone improvisation and circle stringing--that can be easily integrated into the orchestra curriculum and adapted to the learning needs of the individual student, small-ensemble, and large-ensemble settings. Of…

In the pedagogy of Western classical string music, creativity is often viewed according to the works of luminary composers, suggesting the question: how might string teachers, students, and musicians conceive of creativity? After problematizing standard definitions and ontological ideas of musical creativity, I outline an open model using the…

Making space for Indigenous ways of knowing in classroom music-making implicitly challenges longstanding educational hegemonies and should be critically considered by educators. This article is the result of collaborative pedagogical design and delivery involving the university team of teachers with Native students, their teachers, and several…

This article initiates a dialogue between Chinese "Gu Qin" art and curriculum theory. "Gu Qin" is the ancient Chinese musical instrument which best embodies Chinese aesthetic notions. The ancient Chinese never regarded "Gu Qin" as only an instrument; they thought that performing on it was a process of experiencing…

The author, John Whitener, traveled to Mongolia, "the land of blue sky," in the summer of 2013 and again in summer of 2016. Mongolia is a land of awe-inspiring geography, similar in many respects to the wilds of Alaska. Approximately half the country's population has migrated to Ulaan-Baatar and other urban areas because of harsh winters…

In a dramatic physics demonstration, a professional flutist produces four resonances with a 12 ounce Boylan soda bottle solely through her breath control. The 22cm bottle acts like a Helmholtz resonator for the lowest pitch. The three higher pitches fall near the 3rd, 5th, and 7th harmonics for a 22cm closed pipe. A video of this remarkable feat…

Recent advances in music technology include practical tools for sound recording and production in school music classrooms. Secondary school music production classes allow students to make meaningful connections between school music and the music in their own lives. We offer several projects for teaching music production and sound recording;…

This article highlights one music educator's belief that it has become incumbent upon music teachers to expand their knowledge and understanding of global musical practices, traditional instruments, and cultural traditions, and they need to pass this knowledge on to their students. Experiences traveling and attempting to experience the music from…

This article describes a sequential approach to improvisation teaching that can be used with students at various age and ability levels by any educator, regardless of improvisation experience. The 2014 National Core Music Standards include improvisation as a central component in musical learning and promote instructional approaches that are…

The Whole Class Ensemble Tuition (WCET) is a model of teaching and learning music which takes place in many English primary schools. It is a relative newcomer to music pedagogy in the primary school. In the groundbreaking study reported in this paper, two new models of teaching and learning music are proposed. These are (a) "Music education…

In this article, Carl Czerny's "Letters to a Young Lady on the Art of Playing the Pianoforte" (1837) is studied as a machine manual within the cybernetic economy of James Watt's governor. It is argued that while the young pupil is encouraged to subject herself to a strict discipline of physical deportment at the piano, this activity is…

Visiting classical concerts as part of school activities has a long tradition in Germany but has always been controversial. The multi-case study Schools@Concerts aims in mapping different approaches of connecting school music education with classical concert visits in seven European countries. As part of this project, this article gives early…

This paper describes the creation of an evaluative tool that aims to measure the degree to which constructivism is facilitated within the teaching materials created for older beginning piano students (twelve to seventeen years of age). Literature exploring the published teaching materials available for teaching piano includes content analysis,…

Sarah McGee's major contribution to the profession of art therapy was her use of traditional African healing practices in her work with clients. Her immersive training as a ndeppkat (spiritual healer) and Lébou Ndepp rituals in Senegal offered a foundation for her approach to therapy. These rituals informed her work, even in secular settings,…

Through the concept of musical practices, adapted from Wenger's (1998) notion of practice within a community, this paper explores ways in which universities could develop and equalize multiple and diverse musical practices into constellations. Providing future music educators with opportunities to engage and participate in a variety of musical…