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Halick, Mary E. – General Music Today, 2016
Music teachers, who are working to develop students' musicianship skills, often focus on exposing students to new styles and genres of music. These initiatives encourage students to analyze, develop opinions, create, and perform music they may not normally hear. The purpose of this article is to introduce music educators to Electronic Dance Music…
Descriptors: Teaching Guides, Dance, Electronic Equipment, Music Techniques
Larson, Robert – Music Educators Journal, 2015
Performing jazz offers students the opportunity to participate in a unique group activity where notated passages are blended with exciting moments of improvisation. Expectations have risen over the years as middle and high school jazz ensembles have proved that they can perform at a very high level. This expectation however, has led to the…
Descriptors: Music Education, Music Activities, Creative Activities, Musical Composition
Stockton, Phillip H. – Journal of Historical Research in Music Education, 2015
The Cambiata Concept was one of the first methodologies used in the United States to teach boys to sing during the adolescent voice change. Previous practices of choir masters was to rest the voice during this time. They felt that by having boys sing during the voice change was damaging to the voice and would ruin the ability to sing after the…
Descriptors: Adolescents, Adolescent Attitudes, Music, Music Teachers
Thorpe, Vicki; Gilmour, Hannah; Walton-Roy, Kathleen – Assessment Matters, 2017
This article considers the assessment of individuals' contributions to collaborative creative groups. It draws on research into collaborative group composing and its relationship to a secondary school qualification system, the National Certificate of Educational Achievement (NCEA). It explains how a conceptual model of group composing was used to…
Descriptors: Models, Musical Composition, Creativity, Cooperation
Gilbert, Danni – Music Educators Journal, 2016
This article explores a comprehensive, student-centered alternative to traditional ensemble instruction with the goal of promoting better opportunities for musical independence and lifelong musicianship. Developed by Caron Collins from the Crane School of Music at the State University of New York-Potsdam, the Curious, Collaborative, Creativity…
Descriptors: Creativity, Music, Music Education, Musicians
Cardany, Audrey Berger – General Music Today, 2014
"Lemonade in Winter: A Book About Two Kids Counting Money" is a children's book about math; however, when sharing it in the music classroom, street cries and clapping games emerge. Jenkins' and Karas' book provides a springboard to lessons addressing several music elements, including form, tempo, and rhythm, as well as…
Descriptors: Music, Music Activities, Music Education, Mathematics Education
Jenkins, Louise – Australian Journal of Music Education, 2014
Australia is currently responding to an international trend that encourages social inclusion and the provision of equal opportunity for all. In a climate that is encouraging and supporting social inclusion, it can be enriching to look back at Australia's history and consider the benefits that have been gained in a previous era when people were…
Descriptors: Foreign Countries, Females, Opera, Musical Composition
Culp, Mara E. – General Music Today, 2016
Positive self-esteem helps students succeed in and outside of music classrooms. High self-esteem is associated with a positive self-image and fine musicianship. Conversely, low self-esteem is associated with a negative self-image and poorer musicianship. Because students' self-esteem may affect their participation in music classes, the music…
Descriptors: Self Esteem, Music Education, Music, Singing
Riley, Patricia – Music Educators Journal, 2014
In 1989, Bennett Reimer wrote that there are three ways through which people can experience music: performing, listening, and composing. Similarly, in the current National Standards document, MENC [now the National Association for Music Education (NAfME)] identifies performing, creating, and responding to music as the "fundamental music…
Descriptors: Musical Composition, Music Techniques, Music Education, Educational Strategies
Lesser, Lawrence M.; Pearl, Dennis K.; Weber, John J.; Dousa, Dominic M.; Carey, Robert P.; Haddad, Stephen A. – Journal of Statistics Education, 2019
This article describes the process used to develop and assess an NSF-funded instructional innovation: an online collection (https://www.CAUSEweb.org/smiles/) of 28 interactive songs of high esthetic quality designed to span literature-based learning objectives of introductory statistics that develop statistical literacy and reasoning. The…
Descriptors: Singing, Introductory Courses, Statistics, Mathematics Instruction
Yoo, Hyesoo – Music Educators Journal, 2015
Before our current notation system was widely adopted by musicians, improvisation was a key component of music throughout the Western world. One of the fundamental elements of the baroque style, namely, using improvised embellishment, offered musicians great artist liberty. During the baroque period, improvisation spread across Europe and beyond.…
Descriptors: Teaching Methods, Music Education, Creativity, Music Activities
Hash, Phillip M. – Journal of Historical Research in Music Education, 2015
The purpose of this study was to examine the life and work of Solomon W. Straub, who worked as a music teacher, composer, and publisher during the late nineteenth century. Straub was born in Butler Township of DeKalb County, Indiana, in 1842. He taught music in Dowagiac and Lansing, Michigan, before moving to Chicago, Illinois, in 1873. Straub…
Descriptors: Music Teachers, Biographies, Music Education, Educational History
Coleman, Jeremy M. – Journal of Visual Impairment & Blindness, 2016
In 2011, a collaborative effort began between the Texas School for the Blind and Visually Impaired (TSBVI) and Austin Classical Guitar (ACG), a local 501(c) nonprofit music organization. The idea behind this collaboration was to start a small guitar program that would provide TSBVI students with quality classroom guitar instruction. At that time,…
Descriptors: Visual Impairments, Music Education, Music, Musical Instruments
Spieker, Matthew H. – General Music Today, 2016
Some American high schools include Advanced Placement (AP) Music Theory within their course offerings. Students who pass the AP exam can receive college credit either as a music or humanities credit. An AP class, however, offers music students more than future college credit; it ultimately improves musicianship skills and promotes deeper…
Descriptors: Music Theory, Advanced Placement Programs, Training Methods, Secondary School Curriculum
Levy, Ian P.; Cook, Amy L.; Emdin, Christopher – Professional School Counseling, 2018
This article explores a model for school counselors to capitalize on the therapeutic, empowerment-oriented nature of hip-hop practices to engage in youth participatory action research (YPAR). Drawing from research that supports the use of hip-hop therapy and YPAR in schools, we propose a culturally sensitive group counseling process wherein…
Descriptors: Models, School Counseling, Music, Popular Culture

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