This article describes the method and adaptations used by the author in including students with special needs in an instrumental music program. To ensure success in the program, the author shares the method he uses to include exceptional students and enumerates some possible adaptations. There are certainly other methods and modifications that…

Karratha is a town in Australia's remote north-west, 1600 km north of a capital city, Perth. It was a long way from "musical civilization" and a totally different teaching situation for a music teacher used to English classrooms. The first challenge was the dominance of sport at the school, but Peter Younghusband tells how he worked to…

Many orchestra teachers have experienced feelings of panic when they first read the National Standards and realize that the coalition standard is for performance ensembles as well as general music classes. Teachers who are responsible for starting beginners or who teach intermediate players may wonder about the feasibility of teaching composition…

Young children are natural-born musicians and rhythm instruments provide a wonderful bridge between a toddler's innate need to make noise and a child's true musical awareness and expressiveness. Rhythm instrument activities are so easy. With most of them, the child is simply copying one motion at a time. There is nothing to remember. Another…

Standards 3 and 9 of the National Standards for Music Education charge teachers to teach improvisation as well as music of diverse cultures. Jazz is a musical style that is perfect to cover both content areas. Until now, however, jazz repertoire and improvisation have not played a major role in the education of string students. One reason is that…

Facing the ambiguous status of in-school music literacy, this follow-up eight-year study aims to touch on the effects of traditional staff notation (SN) learning on student's intuitive symbolizing behavior and musical perception. Subjects were 47 second-graders attending a religious Jewish school in Israel. One "pre-literate" meeting, in…

Conducted during the Institute for Steelband Playing held in 1988, this study's aim was to understand how Trinidadian people view, experience, explain, and order specific elements of their musical world, with the goal of providing an information base for establishing steelband programs in Canadian schools. The study focused on (1) How did the…

Son Jarocho (specifically from Veracruz) is a song-and-dance form originating in Spain and implanted in Mexico during 17th- and 18th-century colonization. The jarocho style of music today is one of Latin America's most unique forms, using one to four instruments and characterized by its distinctive rhythm. (LC)

Discusses why students who play musical instruments should participate in a chamber music ensemble. Provides rationale for using small ensembles in the high school band curriculum. Focuses on the topic of scheduling, illustrating how to insert small ensembles into the lesson schedule, and how to set up a new schedule. (CMK)

Offers strategies for introducing world music into the school instrumental music program. Suggests steps toward creating a more multicultural band or orchestra, including choosing multicultural musical literature, analyzing world music, and maintaining a diverse music library. Argues that culturally diverse music programs are better equipped to…

Describes the minimalist movement in music. Discusses generations of minimalist musicians and, in general, the minimalist approach. Considers various ways that minimalist strategies can be integrated into the music classroom focusing on (1) minimalism and (2) student-centered composition and principles of minimalism for use with elementary band…

In the fourteen years since the 1990 MENC pre-conference symposium on Multicultural Approaches to Music Education in Washington, D.C., music educators have come to recognize the need to include a variety of world musics in all music curricula, from elementary classrooms to advanced performing ensembles. Accordingly, a significant increase in the…

Suggests ways to use the Band-in-a-Box (BIAB) software created by PG Music in the general music classroom. Benefits of the program to music teachers; Key features of BIAB; Basic steps in making an accompaniment in BIAB; Tips on putting in chords; National standards for music education. INSET: Band-in-a-Box Interface.

Music educators want to encourage every child to sing or play an instrument--or at least they want them to feel capable of successful singing and playing. But recently, those of them concerned with performing arts medicine and musicians' injuries have had to deal with the sobering truth that just being able to sing or play an instrument is not…

Offers experiments and activities designed to help students understand the qualities of sound. Provides directives on how to construct simple musical instruments. Suggests ways to help students discriminate differences in pitch, dynamics, and rhythm. (ML)