A good accompanist is a choir director's dream come true! At one time, student pianists were quite plentiful, but they have become rarer today. While many student pianists may be capable of reading music, not all can be good accompanists. Accompanying is an art of its own that requires some unique capabilities. In this article, the author presents…

All the general music books the author has seen teach the pentatonic scale, and achieve success with it, by having students play only on the piano's black keys. The trick to preventing this exercise from sounding simplistic or uninteresting is to teach improvisation in the A-flat Dorian mode. Using A-flat as the tonal center puts that center right…

The quality of students' lives can be greatly enhanced through music, and teachers know that musicians at all levels risk injury when they practice and perform. Overuse injuries are painful, disrupt progress, and can even permanently halt performing careers. Expert treatment can be difficult to find on short notice, especially when an injured…

The article presents information on how to conduct a music recorder study inside the classroom. It is preferred to conduct a recorder study beginning at the end of third grade or during fourth grade and continuing through elementary school. At that point, the students have a strong sense of pitch, pulse, and rhythm and a large music vocabulary.…

Much progress has been made in the past three decades to improve the quality of education for students with disabilities. Schools have had to undergo complex changes in order to implement the special education laws regarding access to and structure of educational services. Although services have dramatically improved, there remain frequent…

Background: After trying to define the reason why the piano ended up with 88 keys, I found patterns to explain ways of playing the piano with an 8:8 ratio which gives purpose to why the piano has 88 keys on it. Purpose: The first purpose is to enable piano teachers and music students to benefit from understanding how to play piano and be…

In this article, the author states that, when he teaches instrumental technique to beginners, especially in a general music class, he discovers that most students often do not coordinate their muscles effectively when they start playing a musical instrument. He specifically discusses teaching the students how to play the xylophone and techniques…

The National Standards for Arts Education encourages teachers to help students make connections between music and other disciplines. Many state curriculum guides likewise encourage educators to integrate curricula and find common ground between different subjects. Music--particularly vocal music--offers ample opportunities to find relationships…

Classroom teachers have numerous reasons to read to students. Reading to students aids in the understanding of story structure, broadens familiarity with different styles of books, and helps to increase vocabulary. Book language is often different from spoken language, and reading allows students to hear different ways of expressing thoughts.…

Because young wind players need to develop and strengthen their embouchures, they need to play many tong tones at slow tempos. Drummers are on the opposite end of the spectrum. They are using some of the larger, more developed muscles in their bodies and must learn to control them to play many notes rapidly. They need much more than the whole,…

This paper synopsizes a series of nine tutorials investigating how various chemical processes can be shown to have musical aspects. Both chemistry and music share a common language: mathematics. Interesting music can be created as chemical reactions--mediated by instrumentation and mathematics (e.g., spectrometry and discrete Fourier…

As a step toward writing a master's thesis in psychology, the connection between rhythm circles and psychotherapeutic process was explored. Arthur Hull, who experienced and preached about the healing power of rhythm for many years, was interviewed. This article recorded the interview between Arthur and the researcher. The interviewer learned that…

Reports briefly on the methods and materials used in Indian music education at the primary and secondary levels and in instrumental instruction. Scores of eight typical songs and exercises are included. (SJL)

In this article, the author argues that in many ways, developing instrumental practice techniques is an experiment with a sample of one. Musicians must learn which methods work best for them as individuals. This starts in the earliest stages of learning a musical instrument. Teachers offer suggestions: students discover how others are practicing,…

In this article, the author asks music educators to imagine their band students being able to identify the melody of a piece as it jumps among sections after playing it just a few times. How about recognizing harmonic modulation, or applying dynamic contrast through understanding of compositional form? While these elements may seem obvious to…