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Showing 241 to 255 of 560 results Save | Export
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LoPresto, Michael C. – Physics Education, 2012
What follows are several investigations involving string musical instruments developed for and used in a "Science of Sound & Light" course. The experiments make use of a guitar, orchestral string instruments and data collection and graphing software. They are designed to provide students with concrete examples of how mathematical formulae, when…
Descriptors: Musical Instruments, Science Instruction, Physics, Data Collection
Department for Education, 2011
England is a world leader in music education. Provision has existed locally for over 50 years. Recent developments have added national funding to the picture so that all pupils have the opportunity to learn a musical instrument. The number accessing regular weekly instrumental tuition has grown from 438,772 (8.4%) in 2005 to a projected figure of…
Descriptors: Educational Needs, Music Education, Music, Musical Instruments
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Gutoff, Olivia W. – Music Educators Journal, 2011
Music teachers have a responsibility to give detailed instruction on the regular cleaning of brass and wind instruments because of new, compelling research. Recent findings reinforce the importance of teaching proper instrument cleaning. Serious health consequences can be avoided by making instrument care an integral part of the educative process.…
Descriptors: Music Education, Sanitation, Diseases, Music Teachers
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Melago, Kathleen A. – Music Educators Journal, 2014
Teachers can easily encounter students with Attention Deficit Disorder (ADD) or Attention Deficit Hyperactivity Disorder (ADHD) in the instrumental lesson setting. Applicable to instrumental lesson settings in the public or private schools, private studios, or college studios, this article focuses on specific strategies ranging from the…
Descriptors: Music Education, Teaching Methods, Attention Deficit Disorders, Attention Deficit Hyperactivity Disorder
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Edgar, Scott N. – Action, Criticism, and Theory for Music Education, 2014
The purpose of this paper is to apply Noddings' ethic of care to a qualitative inquiry of select instrumental music educators. In the first section I describe and define an ethic of care, considering specifically who is involved in a caring relationship, how an ethic of care can be taught, and strategies for educational implementation and…
Descriptors: Music Education, Qualitative Research, Inquiry, Ethics
Marowitz, David R. – Teaching Music, 2011
Because people today are accustomed to listening to electronic instruments, school music ensembles need to rise to the challenge of reflecting present-day culture by doing a "contemporary makeover". This is all-important if ensembles are to command student respect and attract new members. With a creative mindset and openness to innovation, one can…
Descriptors: Music Education, Musicians, Musical Instruments, Teaching Methods
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Kacanek, Hal – Music Educators Journal, 2011
The sound of the Native American flute seems to convey care, sadness, loneliness, longing, heartfelt emotion, a sense of the natural world, wisdom, the human spirit, and a sense of culture. It is a sound that competes for attention, dramatically punctuating messages about First Nation peoples on television and in movies. A relatively small group…
Descriptors: Music Education, American Indian Culture, Foreign Countries, Music Teachers
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Forrest, David – Australian Journal of Music Education, 2013
In this article, David Forrest probes Ahmad Sarmast (Founder and Director of the Afghanistan National Institute of Music, Ministry of Education, Afghanistan) about the development of the Institute, its sponsorship, the range of local musicians and music educators that work there, and the student population.
Descriptors: Foreign Countries, Music, Program Development, Institutes (Training Programs)
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Johnston Turner, Cynthia – Music Educators Journal, 2013
The digital or information age promotes a liberal, more empowering way of learning and interacting or as Bob Stein, founder of the Voyager Company and the Institute for the Future of the Book, says, "If the printing press empowered the individual, the digital world empowers collaboration." Cynthia Johnston Turner, director of wind…
Descriptors: Music, Music Education, Student Centered Curriculum, Student Participation
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Worland, Randy – Physics Teacher, 2011
In our "Physics of Music" class for non-science majors, we have developed a laboratory exercise in which students experiment with Chladni sand patterns on drumheads. Chladni patterns provide a kinesthetic, visual, and entertaining way to illustrate standing waves on flat surfaces and are very helpful when making the transition from one-dimensional…
Descriptors: Nonmajors, Science Activities, Physics, Science Instruction
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Dell, Charlene – Music Educators Journal, 2010
String educators must find a way to strengthen the development of rhythmic abilities so that their students play with a steady beat and accurate rhythm. Perhaps it is not what they teach their students as much as the sequence of instruction they use to teach them. String educators teach rhythm only as it pertains to the instrument, either through…
Descriptors: Movement Education, Play, Musical Instruments, Music Education
Perlmutter, Adam – Teaching Music, 2010
Improvisation--the act of spontaneously creating music, as opposed to playing music that is strictly pre-composed--is a practice that has most often been taught only in the context of jazz in the classroom. But it has actually been part of many more musical traditions, cultures, and periods. Classical icons like Bach, Mozart, and Beethoven,…
Descriptors: Music, Creative Activities, Musicians, Music Education
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Thibeault, Matthew D. – General Music Today, 2011
Poems are filled with musicality. Poetry and music are often described using similar terms: meter, cadence, phrase, form, and more. Poetry also has physical qualities recognized ever since the Greeks classified poetic meter in feet. In this article, the author presents a project that works well across the age spectrum: recording expressive poetry…
Descriptors: Poetry, Music, Music Education, Musical Instruments
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Gamso, Nancy M. – Music Educators Journal, 2011
The Aural Learning Project (ALP) was developed to incorporate jazz method components into the author's classical practice and her applied woodwind lesson curriculum. The primary objective was to place a more focused pedagogical emphasis on listening and hearing than is traditionally used in the classical applied curriculum. The components of the…
Descriptors: Music, Aural Learning, Music Education, Instruction
Poliniak, Susan – Teaching Music, 2010
Professional growth, like personal growth, comes only through an investment of effort, but it can provide significant returns. Music educators--indeed, most serious musicians--are naturally curious and intensely interested in opportunities for continuing education. If music educators are looking for ways to increase the level of knowledge they…
Descriptors: Music Education, Music, Continuing Education, Musicians
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