Describes how the author used literature with her second-grade students to explicitly demonstrate elements of the writer's craft. Focuses on how writers get their ideas, descriptive language, and character development. Describes how these young students made noticeable improvements in their writing over a fairly short period of time. Draws…

Notes how students learn to examine multiple elements of a text with critical perspective making analogies between others' writing and their own. Concludes that students may only have one opportunity to workshop their writing, but that intense learning experience, coupled with critical responses to another 20 or so drafts, coaxes writers into…

Presents three teachers' experience with a journal-writing workshop that was successfully implemented in a first-grade classroom, in which the children became an enthusiastic and effective community of writers. Discusses several advantages of a journal-writing workshop. (SG)

Presents a scene from the multimedia performance of "We're Not Nice Little Old Ladies." Notes that the performance was the culmination of a 3-year research project called "Stories of Ageing" intended to explore what ageing means from the point of view of the older woman. (SG)

The emotional transitions basic writers have to make when they enter the academic setting can be overwhelming. Basic writers tend to have a host of problems and obstacles to overcome, not the least of which are their own anxieties. One way to alleviate some of the anxieties and insecurities is through a studio or workshop course staffed with…

Describes the phenomenon of the writing workshop as it developed in the early days of the British adult literacy campaign. Discusses the history of the workshops, how a writing event works, organizational concerns, educational implications, and contrasts with other methods of teaching adult literacy. (RS)

Describes three primary parts of the Tenderloin Reflection and Education Center's writing workshop for women: workshop, performance, and publication. Discusses how this program helped to break down isolation, empower participants, and challenge social oppression. (MG)

Describes how a fourth-grade teacher applied Nancie Atwell's "formula" for teaching writing via writing workshops. Notes that, a year later, the teacher realized that nobody else's approach could work in her classroom, after which she developed her own structure. (SR)

Describes how one sixth-grade teacher of English/Language Arts stopped teaching from grammar texts and instituted a writing workshop. Describes flak he received from colleagues and parents, encouragement he received from students and from his principal, and how, over time, writing workshops have spread in his school. (SR)

Describes the Writing Workshop (WW) program at Upland Elementary (Indiana) and how it emphasizes the use of doing rough drafts and revising them to teach writing. Recounts the stories of five grade-school children who blossomed in WW. Summarizes the steps in-process writing: rough drafts, self-editing, peer conferencing, teacher conferencing,…

At a writers' camp, teachers and children collaboratively write and learn together during the summer. Through student writing samples, this article shows how teachers and students apply journalistic techniques of observing, note-taking, and interviewing to collect information about their local community. Teachers and children taking part in the…

Writers thrive when they are motivated to work hard, have regular opportunities to practice and reflect, and benefit from a knowledgeable teacher who knows writing. Student feedback to lessons during writing workshop helped guide Nancie Atwell in her quest to provide the richest and most efficient path to better writing.

This article talks about situated writing lessons and describes how to use this strategy in disciplinary context. The concept of the situated writing lesson is similar to the concept of "strategy lessons" advocated by Nancie Atwell and other whole language teachers who discovered a need for short, context-specific teaching of language conventions.…

PowerPoint has become something of a standard business communication tool, for better or worse. The "worse" part of that formulation is something of a cliche in the business world, and poor use of the tool can be damaging to a business manager's career progress. The author has been using a two-part approach to teaching PowerPoint skills in an…

This article explores the ways three young students expressed their perceptions about literacy and investigates how their classroom identity shapes and is shaped by those perceptions. The ways in which positioning within a writing event and the classroom culture contributed to the development of writing voice and identity are examined. In…