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Showing 196 to 210 of 560 results Save | Export
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Pittau Sevilla, Zulma M. – Music Education Research, 2016
The "Mbyá" culture forms a part of the Guaraní ethnic group that mainly inhabits the territories of south-eastern Brazil, in the Province of Misiones--Argentina, and the Republic of Paraguay. This article will focus mainly on field observations I have made in different communities in these countries, and which will try to synthetically…
Descriptors: Music Education, Self Concept, American Indian Students, Foreign Countries
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Jacobi, Bonnie Schaffhauser – Journal of Historical Research in Music Education, 2016
This article provides a historical context for Placido de Montoliu's Eurhythmics instruction at Bryn Mawr College, Pennsylvania, between 1913-1922 and 1930-1931, and it highlights pedagogical and philosophical principles that shaped his approach. The research is based on noncirculating, historical documents at the Bryn Mawr College Library…
Descriptors: Music Education, Educational History, Photography, Catalogs
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Carlisle, Katie – General Music Today, 2014
This article argues that "The Eclectic Curriculum in American Music Education" warrants consideration within current elementary general music education contexts. One way to consider this foundational text is in terms of how technology can serve as a tool for enriching instructional approaches. While handheld technology use within these…
Descriptors: Music, Music Education, Technology Integration, Instructional Design
Olson, Cathy Applefeld – Teaching Music, 2013
Like the best teachers in any subject, Dana Hamant is a consummate student. In his 31 years as a music instructor, he has attended every single annual Music Educators Association conference in his home state of Kansas and missed only two Kansas Bandmasters Association conferences. (He is also a frequent attendee at NAfME and other professional…
Descriptors: Musical Instruments, Music Education, Music Teachers, Professional Development
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Hall, Richard – International Journal of Music Education, 2015
Ensemble work is a key part of any performance-based popular music course and involves students replicating existing music or playing "covers". The creative process in popular music is a collaborative one and the ensemble workshop can be utilised to facilitate active learning and develop musical creativity within a group setting. This is…
Descriptors: Music, Popular Culture, Workshops, Musical Instruments
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Pio, Frederik; Varkoy, Oivind – Philosophy of Music Education Review, 2012
In the current world of education, politics and public opinion, musical experience is increasingly threatened. It is designated ever more as an expendable luxury. This kind of general trend has hardly left the thinking in the field of music and music education untouched. Inspiration comes from the technical rationality of our time. This…
Descriptors: Music Education, Music, Public Opinion, Reflection
Freifeld, Lorri – Training, 2012
This article describes Training 2012 Conference & Expo which began with a bang and finished with a splash--literally. The Drum Cafe got participants' blood pumping with rhythmic tribal music early in the morning on the first day of the conference, February 13, at the Georgia World Congress Center in Atlanta. The drum leader established the…
Descriptors: Leadership Training, Conferences (Gatherings), Musical Instruments, Music
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Stafford, Olga – Physics Teacher, 2012
A simple pipe whistle can be made using pieces of PVC pipe. The whistle can be used to measure the resonant frequencies of open or closed pipes. A slightly modified version of the device can be used to also investigate the interesting dependence of the sound frequencies produced on the orifice-to-edge distance. The pipe whistle described here…
Descriptors: Physics, Acoustics, Musical Instruments, Science Instruction
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Beckstead, David – Music Educators Journal, 2013
This article explores and contextualizes improvisation in music from an educational perspective. First, recent brain research that sees improvisation as a distinct cognitive activity is examined and used to illustrate the importance and uniqueness of this often ignored area of music learning. Next, the implications for the music classroom are…
Descriptors: Creativity, Innovation, Music Education, Teaching Methods
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LoPresto, Michael C. – Physics Education, 2014
What follows is a description of a theoretical model designed to calculate the playing frequencies of the musical pitches produced by a trombone. The model is based on quantitative treatments that demonstrate the effects of the flaring bell and cup-shaped mouthpiece sections on these frequencies and can be used to calculate frequencies that…
Descriptors: Musical Instruments, Musical Composition, Program Descriptions, Models
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Marcum, Travis – Music Educators Journal, 2014
In 2009, there were approximately 137,000 court-involved minor children in residential detention and rehabilitation facilities in the United States as a result of committing a crime. Most of these children have no opportunity to participate in music education while serving long-term sentences in residential lockdown. A program in Austin, Texas,…
Descriptors: Institutionalized Persons, Correctional Institutions, Juvenile Justice, Delinquency
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Walter, Donald J.; Walter, Jennifer S. – Music Educators Journal, 2015
Practice is a major element in cultivating musical skill. Some psychologists have proposed that deliberate practice, a specific framework for structuring practice activities, creates the kind of practice necessary to increase skill and develop expertise. While psychologists have been observing behavior, neurologists have studied how the brain…
Descriptors: Music Education, Brain, Teaching Methods, Research
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Gumm, Alan J. – Music Educators Journal, 2012
This article poses six functions of conducting as a new foundation for music educators. Two traditional functions focus on music: the mechanical precision function indicates beat, tempo, meter, rhythm, cues, entrances and cutoff releases, and the expressive function indicates dynamics and other expressive characteristics interpreted in a score.…
Descriptors: Music, Musicians, Cues, Music Teachers
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Ferm Thorgersen, Cecilia – Update: Applications of Research in Music Education, 2014
The article is based on a phenomenological way of thinking about knowledge and learning and will treat the concepts of response and critical friends as ways of sharing experience in higher music education. The problem area I want to illuminate is how teachers, who educate musicians, can use and facilitate development of their students' skills…
Descriptors: Music, Music Education, Music Teachers, Musical Instruments
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Kuo, Yi-Ting; Chuang, Ming-Chuen – International Journal of Music Education, 2013
Music teachers often encounter obstructions in teaching beginners in music reading. Conventional notational symbols require beginners to spend significant amount of time in memorizing, which discourages learning at early stage. This article proposes a newly-developed color music notation system that may improve the recognition of the staff and the…
Descriptors: Music Education, Color, Music Theory, Visual Stimuli
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