In essence, every educator is an ELL (English Language Learner) teacher, because every student---even native English speakers---is learning to master English. In this article, veteran ESL teacher Judie Haynes offers strategies for helping ELL students learn to write more effectively. While her advice is focused on ELL students, all teachers will…

Teachers are hungry for strategies that will motivate their students to engage in reading and writing. One promising method is the Authoring With Video (AWV) approach, which encourages teachers to use captioning software and digital video in writing assignments. AWV builds on students' fascination with television and video but removes the audio…

The Poetry Generating Loop is a new kind of generative writing circle that offers concrete, creative ways to get students involved in and excited about poetry. By writing poems in groups, students are able to learn poetic terms and experiment with techniques through their writing--a process that can shed new light on the world of poetry. (Contains…

Describes a workshop on "slam poetry" and details how this form of performance poetry can lead students back to the written poem with a renewed sense of connection and understanding. Suggests a class exercise that can be adapted to either a creative writing or a literature unit. (SG)

Describes Youth Speaks NY Fifth Annual Teen Poetry Slam. Considers how Youth Speaks offers free after school writing workshops for teens. Notes that this nonprofit spoken word program Youth Speaks plays host to an auditorium of teen poets who "bust at the seams with verse." (SG)

Describes a method of helping students to invent characters in the context of a creative writing workshop for undergraduates. Considers how students draw composition characters for which they can write a profile using the surrealist technique of "exquisite corpses." Uses student work to illustrate how such characters feed into the story…

The acknowledged expert on the 6+1 traits of writing explains what the traits are and what they are not: The traits are not a curriculum; they are part and parcel of the writing process; they are a model, not a program; they are not a prepackaged replacement for teaching writing; and they are the language of the writing workshop. The author…

The well-planned writing workshop is an effective tool for expanding the mathematical discourse of students and helping them become more skillful writers in the discipline. This article reviews a step-by-step process for conducting a workshop and details different reader response strategies. It also offers suggestions for various types of…

A six-week long intervention that introduced second graders to poetry writing is described in this article, ending in a classroom "poetry cafe" culminating event. This article details the established classroom "writing workshop" structure and environment and the perceptions and observations of how students responded to the instruction. Four poetry…

In this inquiry study, teachers will learn about or refine their understanding of the components of Reading and Writing Workshop. They will begin by living as writers themselves and then explore how to create supportive contexts for the learners in their classrooms. Video footage from a number of classrooms will serve as a series of possibilities…

A school board member in Gilman, Wisconsin, started a literary awards program to improve student writing. Students compete for prizes, and at the end of each year the winning entries are published in a literary magazine. (MLF)

Describes the incorporation of thematic teaching into the author's Reading-Writing Workshop class. Shares a few activities from one coming-of-age unit that increased engagement and helped students generate writing topics that genuinely interested them and related to the same theme. (SG)

Discusses the use of fairy tales in a prison adult basic education writing workshop based on work of Campbell and others. Examines use of mythology with beginning writers to enhance writing skills and provide a forum for the exploration of personal lives and values. (SK)

Describes how four teachers used a pilot program of incorporating art into a writing workshop, as described in several related articles in this issue. Notes the experiences with its development, the integration of teaching and learning, the challenges faced, and a presentation to the National Council of Teachers of English convention. (SG)

Cauley's books about snakes demonstrate intentional and interesting decisions by a beginning writer. The conclusion states that learning to choose topics for writing in thoughtful ways is an important part of the curriculum in writing workshop.