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Young, Clinton D. – History Teacher, 2022
The purpose of this article is to give the history teacher who is interested in or passionate about music--but nervous about transforming that passion into a useful classroom lesson--some resources, tools, and ideas to begin incorporating music into their teaching. It will focus on what is arguably the most difficult musical genre to teach with:…
Descriptors: Classical Music, Opera, History Instruction, Teaching Methods
Tobias, Evan S. – General Music Today, 2015
Many music educators address aural skills and analysis by drawing on strategies designed for the realm of Western classical music. Focusing solely on aural skills and analysis within paradigms of Western music can limit students' musical learning and engagement to particular ways of knowing music. To diversify and broaden the types of aural skills…
Descriptors: Music Education, Music, Popular Culture, Learner Engagement
Arya, Divya D. – Music Educators Journal, 2015
This article offers information that will allow music educators to incorporate North Indian classical vocal music into a multicultural music education curriculum. Obstacles to teaching North Indian classical vocal music are acknowledged, including lack of familiarity with the cultural/structural elements and challenges in teaching ear training and…
Descriptors: Classical Music, Music Education, Singing, Familiarity
Ward, Lisa-Jane – Victorian Journal of Music Education, 2014
Music departments in Chinese universities incorporate Western musicology and instruments as part of their undergraduate or graduate courses (or both). However, many of these students may have had limited exposure to Western classical music and English, as a medium of communication. Furthermore, these courses are predominantly offered in Chinese.…
Descriptors: Chinese, English (Second Language), Second Language Learning, Bilingual Education
Artesani, Laura – General Music Today, 2012
To provide a comprehensive and balanced curriculum, the accomplishments of women composers and performers must be included in general music classes. This article addresses obstacles that have challenged women musicians and provides an outline for a unit that highlights seven American women who have achieved significant "firsts" in the world of…
Descriptors: Music Education, Music, Females, Musicians
Allsup, Randall Everett – Music Educators Journal, 2011
In recent years, popular music has become a growing area of music study and is increasingly accepted in schools and universities around the world. Despite this general enthusiasm, classically trained music teachers bring a certain hesitation to this art form, perhaps because too few have had formal hands-on experience with it. This article…
Descriptors: Music, Teacher Education Programs, Musicians, Music Teachers
Sheridan, Mark; MacDonald, Iona; Byrne, Charles G. – International Journal of Music Education, 2011
A recent report by UNESCO placed Scots Gaelic on a list of 2500 endangered languages highlighting the perilous state of a key cornerstone of Scottish culture. Scottish Gaelic song, poems and stories have been carried through oral transmission for many centuries reflecting the power of indigenous peoples to preserve cultural heritage from…
Descriptors: Classical Music, Singing, Oral Tradition, Research Projects
Teaching Music, 2007
In this installment of "Members Speak Out," the author discusses a game that teachers can play with their band and orchestra students. Called "Drop the Needle," it involves starting a musical recording in the middle and trying to determine what period it is from and who might have composed it. This game allows more experienced…
Descriptors: Radio, Classical Music, Music Education, Musicians
Regelski, Thomas A. – Music Education Research, 2006
Aesthetic doctrine hypothesizes a for-its-own-sake, "disinterested" autonomy of music from life and assumes, then, that "good" music exists only to be contemplated, and that proper "appreciation" depends on informed "understanding." This distantiation of music from life creates a gap between aesthetes who have (unfortunately) sacralized classical…
Descriptors: Music Appreciation, Music Education, Aesthetics, Music
Levin, Andrew R.; Pargas, Roy P. – New Directions for Teaching and Learning, 2005
A particularly innovative use of laptops is to enhance the music appreciation experience. Group listening and discussion, in combination with a new Web-based application, lead to deeper understanding of classical music. ["Appreciating Music: An Active Approach" was written with Joshua Austin.]
Descriptors: Classical Music, Music Appreciation, Computer Uses in Education, Computers
Peer reviewedRiddoch, Jane V.; Waugh, Russell F. – Journal of Intellectual and Developmental Disability, 2003
A recently developed pictorial and musical program was used to teach abstract art to 12 elementary students with severe intellectual disabilities and 12 controls. There was a significant main instructional effect favoring pictorial with classical music over both pictorial only and pictorial with rock music. (Contains references.) (Author/CR)
Descriptors: Art Activities, Art Expression, Childrens Art, Classical Music
Gaustad, Susan – Instructor, 1983
A year-long music instruction unit introduces students to information about the lives of nine great composers of the classics and to their works. Each month a different composer is featured. No special training for teachers is necessary. (PP)
Descriptors: Biographies, Classical Music, Elementary Secondary Education, Instructional Materials

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