Performing jazz offers students the opportunity to participate in a unique group activity where notated passages are blended with exciting moments of improvisation. Expectations have risen over the years as middle and high school jazz ensembles have proved that they can perform at a very high level. This expectation however, has led to the…

This article explores a model for school counselors to capitalize on the therapeutic, empowerment-oriented nature of hip-hop practices to engage in youth participatory action research (YPAR). Drawing from research that supports the use of hip-hop therapy and YPAR in schools, we propose a culturally sensitive group counseling process wherein…

This article presents a narrative account of one gender-variant student and his experiences in public school and school music. In the sixth grade, Ryan began cross-dressing and announced that he was gay. While his family was supportive, the school community's response was hostile. Ryan was eventually forced out of public education, ending his…

Explains that music teachers can hamper student creativity in music composition by restricting assignments. States that teachers should assign only one parameter, focusing on a broad overarching idea. Provides examples of enabling parameters. Addresses the teacher's response to student work and nurturing musical independence. (CMK)

Maintains that, to improvise successfully in music, students must have an understanding of the creative process. Presents teaching suggestions for encouraging creativity in music classes. Maintains that improvisation is an excellent method for students to explore and practice creativity. (CFR)

Encapsulates a series of verbatim statements made by young musicians about the joy music has brought to their lives. The musicians, all students at Black Mountain Middle School in San Diego, California, exhibit a wide range of responses discussing their commitment, hard work, and sense of accomplishment. (MJP)

Presents 44 entries from a modern composer and music professors' journal, culled from 1993 to the present. Includes comments and criticisms of composers and musicians, as well as philosophical and practical observations. (MJP)