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Elissa Johnson-Green – Visions of Research in Music Education, 2023
Lee Pogonowski's legacy lives on through the work of her students. I have found my own expression of this legacy through the EcoSonic Playground Project (ESPP), a community engaged music education program that I created at University of Massachusetts Lowell. This paper discusses how Lee's work infuses the ESPP's curriculum and program design and…
Descriptors: Music Education, Music Teachers, Student Centered Learning, Interdisciplinary Approach
Marcum, Travis – Music Educators Journal, 2014
In 2009, there were approximately 137,000 court-involved minor children in residential detention and rehabilitation facilities in the United States as a result of committing a crime. Most of these children have no opportunity to participate in music education while serving long-term sentences in residential lockdown. A program in Austin, Texas,…
Descriptors: Institutionalized Persons, Correctional Institutions, Juvenile Justice, Delinquency
Shuler, Scott C. – Music Educators Journal, 2011
This article outlines how to make music programs more inclusive and therefore enable music teachers to compete more effectively for enrollment. Fortunately, music affords teachers many compelling options to win the hearts and minds of students, and thereby to create a more musically literate and supportive public. The author suggests that music…
Descriptors: Music Education, Music Teachers, Inclusion, Course Selection (Students)
Conklin-Ginop, Evelyn; Braverman, Marc T.; Caruso, Robyn; Bone, Dennis – Journal of Extension, 2011
4-H Bloco Drum and Dance is an afterschool program that teaches adolescents drumming, dancing, and theater arts in the rich traditions of Brazilian Carnaval. Teens learn to express themselves in a variety of modalities and perform at community events. The program was developed by a community coalition that included 4-H, other youth programs, and…
Descriptors: Youth Programs, Theater Arts, Dance, Program Evaluation
Corte-Real, Maria De Sao Jose – Intercultural Education, 2008
MUSSI is the name of a she-cat from an imaginary story invented and told by children from two elementary schools through different performing modalities. It is also the name of a pilot project of Applied Ethnomusicology funded by a major Portuguese Company, SONAE Sierra, through the local Loures Shopping Centre, which paid for the musical…
Descriptors: Citizenship, Research Projects, Pilot Projects, Musical Instruments
Edman, Steve; Press, Doreen; Howk-Hanley, Mary – Teaching Music, 2005
Unlikely as it might seem, a simple request from music teachers to borrow musical instruments can be the beginning of a productive teaching and learning experience for students at their school. With a set of stringed and band instruments from their local music store, every student at a given grade level can have the chance to perform on an…
Descriptors: Musical Instruments, Music Education, Teaching Methods, Program Development
Lapka, Christine – Music Educators Journal, 2006
This article tells the story of an instrumental music instructor, cooperating special education teacher, and a twenty-nine-member band. Although they could have chosen many paths, these two particular teachers adopted an inclusive attitude and found ways to integrate students with disabilities. The author then discusses what existing research has…
Descriptors: Teacher Attitudes, Disabilities, Regular and Special Education Relationship, Special Education Teachers
Briody, P. – 1982
The Instrumental Music Program Unit in the South-West Priority Country Area (a vast, generally arid hot region some 800 km by 450 km) is a unique, dynamic, and successful program, enjoying an extremely high degree of enthusiastic support from all involved--administrators, instructors, students, schools, and communities. Begun in 1977, there are…
Descriptors: Access to Education, Adult Education, Bands (Music), Community Support

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