Offers strategies for introducing world music into the school instrumental music program. Suggests steps toward creating a more multicultural band or orchestra, including choosing multicultural musical literature, analyzing world music, and maintaining a diverse music library. Argues that culturally diverse music programs are better equipped to…

Describes a high school music program in which students form strolling performance groups. Explains that violinists, violists, and even cellists play as they stroll through audiences. Suggests that strolling strings programs benefit both students and teachers by providing opportunities for creativity and enhancing musical skills. Provides a list…

Recommends singing as an instructional strategy for string and other instrument classes. Maintains that singing familiarizes the student with the music and can serve as an illustrative example of musical techniques. Includes a list of tonal objectives found in repertory songs. Briefly reviews several instructional texts. (MJP)

Music and arts education programs are the first to be cut when school budgets tighten. Successful ways to prevent severe cuts are outlined and music program essentials are described. The principal's role is the key. (MD)

Maintains that the ability and experience of improvisation is an essential component in young musicians' education. Discusses one teacher's trial-and-error efforts in introducing improvisational exercises into her students classical training. Includes a list of resources and representative musical examples. (MJP)

Analyzes the contents of doctoral research between 1936 and 1992 related to stringed instrument education. Examines "Dissertation Abstracts International" for year of completion, type of degree, instrument, and main topic. The most researched instrument was the violin and main topics included techniques and skills, performance practice, and…

Profiles four middle school teachers maintaining early chamber music programs. The teachers advise varying degrees of musical competency before students begin the program, but all of them caution against starting too soon. They also stress the importance of purchasing early music scores and establishing rehearsal times. (MJP)