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Kremer, Nick; Sanders, Harlow – Voices from the Middle, 2012
Shakespeare didn't write scripts so much as he wrote plays--live productions to be acted out in front of audiences through multimodal forms of expression. Yet some teachers' script-only approach to the Bard inadvertently isolates students from the many visual, auditory, and performative elements that make his plays so enduring. This article…
Descriptors: Scripts, Audiences, Literacy, Novels
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Ruecker, Stan; Homich, Eric; Sinclair, Stefan – Visible Language, 2005
This paper describes a prototype system that allows readers to view an electronic text in multiple simultaneous views, providing insight at several different levels of granularity, including a reading view. This prospect display is combined with a number of tools for manipulating the text, for example by highlighting sections of interest for a…
Descriptors: Novels, Scripts, Electronic Publishing, Users (Information)
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Ratliff, Gerald Lee – CEA Forum, 2006
The primary pedagogical principle of Reader's Theatre is that it "dramatizes" literature to provide both a visual and an oral stimulus for students who may be unaccustomed to using their imagination to experience literary works like novels, poems, essays, or short stories. Promoting a suggestive, "theatrical mind" approach to…
Descriptors: Theater Arts, Oral Interpretation, Literature, Performance Factors