Argues that the construction of a performance script permits the modification of the original text in order to render that original theatrically communicative in the present. Notes that the dominant concerns of script modification are in how to negotiate audience expectations. Describes three types of textual deviation: nonverbal alteration;…

In 2004, in response to the need to revise oral practice and assessment in the second semester of Beginners French at Monash University, an eight-week group-based theatre project was developed and trialled. A specially adapted version of Tardieu's absurdist play "Le Guichet" was used to give students the opportunity to focus on oral…