This article describes an instructional lesson the author developed to help students use parody to read and write original poetry. The author begins this article with an introduction to parody and a rationale for using it as an instructional strategy. Then, he describes materials and procedures he used and he shares samples of student writing. He…

Suggests that children must be allowed their voices through writing. Discusses how four eighth-grade students turned life experiences into meaningful writing for the classroom. (RS)

Suggests that one of the greatest outlets for the middle school voices in one particular classroom is the students' immersion into poetry during writing workshops. Describes a classroom environment that encourages children to express themselves in writing, speech, and action each day. Presents numerous examples of students' poetry. (RS)

Describes how, after studying the Holocaust and other human-rights issues in their eighth-grade language-arts classes, students felt compelled to create a permanent memorial and reminder. Discusses how the project unfolded from finding and shaping an idea, collecting stories from around the nation, crafting the mosaic and the flower garden, and…

This report reviews and analyzes the results of the third statewide analytical writing assessment of Oregon eighth graders. Following an introduction, the report is in five chapters: (1) The Oregon Writing Assessment Interpretive Panel: Comments and Recommendations; (2) Strengths and Weaknesses in Student Writing--A Trait-by-Trait Analysis (giving…

Describes a six-week poetry writing workshop for an eighth-grade class. Discusses getting started, two weeks of immersion in reading poetry, students writing their own poetry, creating a community of poets in the classroom, evaluation, students' poetry, and what the teacher learned. Notes that students gained a much richer understanding of poetry.…

Using children's picture books, Deborah Dean provided frameworks for student research papers that avoided the pitfalls leading to voiceless an encyclopedic writing. Research guide sheets; class analysis of text organization, sentence variety, stylistic choices; and peer review all contribute to interesting final papers. (Contains 2 figures.)

Argues that children are as deep as the ocean, with secret places inside of them waiting to be opened. Notes that it is powerful for students to learn they can make sense of the world through words, and describes inviting them into poetry as they read poetry, create poetry packets, and write and revise poems. (SR)

Describes why and what happened when a teacher changed from viewing English teaching as a value-neutral act to teaching what matters to her. Relates what she expects from the reading and writing workshop and how raising her own voice in terms of her passions and what she values has strengthened students' voices. (SR)

Pupils in the middle school can be motivated to enjoy and write haiku poetry. A student teacher taught two lessons to a sixth grade class in haiku writing. First, the student teacher read three haikus aloud to students. After discovering the characteristics of a haiku from two models, the class as a whole wrote a haiku based on slides from their…

Describes a project that introduced eighth graders to a wide range of classics (including Aesop, Confucius, Ovid, and Jean de La Fontaine). Shows how the author used these works to inspire the kids to write their own poems and stories. (SR)

Describes how the author's 6 middle school students living in a village in the Yukon, 100 miles off the road system just below the arctic circle, enthusiastically wrote stories or poems about their lives. The students shared their works via an online electronic conferencing system with students from the unimaginably different landscape of the…

"Zooming in" with a camera lens led students in Joan Berger's class to enrich their writing exponentially. Through class discussion of body language, along with the use of worksheets (provided), role-playing, modeling, and conferencing, one aspect of lively writing became a part of their writing repertoire. (Contains 5 figures.)

Describes a project that used photography to inspire and structure creative writing among students who were struggling writers. Outlines the writing process and the problems struggling writers encounter. Provides information for taking good photographs, making photographs interesting, and choosing subject ideas to get students started. (SD)

Discusses "Private Eye," an approach to teaching which focuses on developing students as artists, writers, and scientists. Describes how this approach uses the jewelers loupe to examine everyday objects 5 or 10 times bigger, thus altering students' way of viewing the world through the change of scale and through analogy-provoking questions. (SR)