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Garnet, Dustin – International Journal of Art & Design Education, 2020
Objects with difficult histories present profound opportunities for learning and teaching alike because of their authenticity, relatability and quite often their ability to inspire empathy. The following article constructs a multivalenced account of a student's vandalised violin by utilising a narrative framework to layer various perspectives into…
Descriptors: History, Teaching Methods, Learning Processes, Musical Instruments
Fautley, Martin; Kinsella, Victoria; Whittaker, Adam – British Journal of Music Education, 2019
The Whole Class Ensemble Tuition (WCET) is a model of teaching and learning music which takes place in many English primary schools. It is a relative newcomer to music pedagogy in the primary school. In the groundbreaking study reported in this paper, two new models of teaching and learning music are proposed. These are (a) "Music education…
Descriptors: Music Education, Music Activities, Teaching Methods, Learning Processes
de Villiers, Alethea Cassandra – International Journal of Music Education, 2021
Cultural hegemony permeates society and is spread through social institutions. These institutions socialize people into the norms, values and beliefs of the dominant social groups. Moreover, cultural hegemony is spread and perpetuated through education in the form of compulsory education, a national curriculum, national assessments, as well as the…
Descriptors: Music Education, Curriculum Development, National Curriculum, Educational Philosophy
Laubenthal, Jennifer – Music Educators Journal, 2018
A significant amount of literature exists about how to design and implement an effective assessment process for students in a music program, specifically in the classroom setting. This article suggests a framework for incorporating individualized assessment in the private-lesson setting based on effective classroom assessment practices. Many…
Descriptors: Learning Processes, Music Education, Student Evaluation, Music Teachers
Hanken, Ingrid Maria – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2016
Research on peer learning in higher education indicates that learning from and together with peers can benefit students in a number of ways. Within higher music education in Western, classical music, however, the master-apprentice tradition with its dominant one-to-one mode of tuition focuses predominantly on knowledge transmission from teacher to…
Descriptors: Music Education, Seminars, Learning Processes, Excellence in Education
McIntosh, Jonathan – International Journal of Music Education, 2013
Highlighting the application of ethnomusicology beyond the traditional boundaries of the academy, this article investigates the use of music in adult literacy education. In 2005, as part of the Literacy and Equality in Irish Society (LEIS) project, adult literacy tutors working in Northern Ireland, United Kingdom (UK), were invited to enrol in…
Descriptors: Foreign Countries, Music, Ethnology, Adult Literacy
Chaffin, Roger; Lisboa, Tania; Logan, Topher; Begosh, Kristen T. – Psychology of Music, 2010
An experienced cello soloist recorded her practice as she learned and memorized the Prelude from J.S. Bach's Suite No. 6 for solo cello and gave 10 public performances over a period of more than three years. She described the musical structure, decisions about basic technique (e.g., bowing), interpretation (e.g., dynamics), and five kinds of…
Descriptors: Cues, Musical Instruments, Memory, Recall (Psychology)
Kerchner, Jody L. – General Music Today, 2010
Music ensemble teachers use informances as means of illuminating less visible student rehearsal experiences that serve as cornerstones for the ever-visible musical performances. How might teachers apply this tool of advocacy and education to the general music classroom? In this article, the author provides a description of action research that she…
Descriptors: Music Education, Music, Action Research, Listening Skills
Kenney, Susan – General Music Today, 2010
Four-year-olds are still learning through discovery of materials. They are excited to share what they have been doing with their parents. And although they are capable of working together under the direction of the teacher, they are much more excited to share individually. This article illustrates how family day in the 4-year-old music class can…
Descriptors: Music Education, Music, National Standards, Course Content
Wirthner, Martine, Ed. – 1994
This document, written in French introduces a group of Swiss researchers (Groupe des Chercheurs Romands) that has been examining music for beginning students. The specific focus of this study was the concept of creativity in music. The researchers are striving to alter the general perception of creativity as an inborn talent with no relationship…
Descriptors: Creativity, Early Childhood Education, Educational Research, Elementary Education
Davidson, Jane W.; Pitts, Stephanie E.; Salgado-Correia, Jorge – Journal of Aesthetic Education, 2001
The process of learning to play a musical instrument involves hours of individual practice. Even for players who do not reach high levels of competence, a considerable amount of time will be spent in working independently of the teacher, meaning that music learning demands a high level of self-sufficiency and the ability to be self-reflective if…
Descriptors: Music Education, Investigations, Musical Instruments, Learning Processes
Marcinkiewicz, Henryk R.; And Others – Contributions to Music Education, 1995
Discovered that the introduction of piano keyboarding into elementary school music instruction produced a positive effect regarding children's sentiment towards school. No discernible effect was revealed concerning memory skills. Includes statistical data and description of survey questionnaires. (MJP)
Descriptors: Classroom Environment, Cognitive Development, Cognitive Processes, Curriculum Enrichment

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