Vision, that is, the mental representation of the sensory experience of a future goal state (involving imagination and imagery), is currently at the forefront of motivational innovation, and in recent years it has been seen increasingly more often in the motivational tool kit of practicing language teachers. Theories such as Dörnyei's L2…

This article is an introduction to two other articles in this issue, Catherine Maxwell's "Teaching 19th-century aesthetic prose" and Kirsteen Anderson's "The whole learner: the role of imagination in developing disciplinary learning". It highlights the significance of the courses described in Maxwell's and Anderson's accounts…