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Kremer, Nick; Sanders, Harlow – Voices from the Middle, 2012
Shakespeare didn't write scripts so much as he wrote plays--live productions to be acted out in front of audiences through multimodal forms of expression. Yet some teachers' script-only approach to the Bard inadvertently isolates students from the many visual, auditory, and performative elements that make his plays so enduring. This article…
Descriptors: Scripts, Audiences, Literacy, Novels
Zazkis, Rina; Sinclair, Nathalie – International Journal for Mathematics Teaching and Learning, 2013
We discuss an innovative task used in teacher education--Lesson Play--that involves presenting a lesson in the form of an interaction between a teacher and students. We describe the motivation for the development of this task and, through specific examples, describe the iterative design process in which the task was refined and improved. We…
Descriptors: Preservice Teacher Education, Instructional Innovation, Mathematics Instruction, Methods Courses
Mabry, Mark; Fucigna, Carolee – Exchange: The Early Childhood Leaders' Magazine Since 1978, 2009
Play, particularly children's sociodramatic play, is the cornerstone of early childhood classrooms in the United States. Early childhood educators learn and expound mantras of "the value of play," "play-based programs," "children learning through play," and "play as child's work." They strive to promote the importance of making a place for play in…
Descriptors: Scripts, Play, Dramatic Play, Social Behavior
Peer reviewedFerrington, Gary – Journal of Visual Literacy, 1994
Explores the concept of "theater of the mind" and discusses design factors in creating audio works that effectively stimulate mental pictures, including: narrative format in audio scripting; qualities of voice; use of concrete language; music; noise versus silence; and the creation of the illusion of space using monaural, stereophonic,…
Descriptors: Audiences, Audio Equipment, Auditory Stimuli, Design Preferences

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