This article follows Johnson and Liddell (2011a, 2011b, 2011c, 2012) and Liddell and Johnson (2019), which introduce the concepts of sequentiality and contrast, a segmental framework consisting of postures and trans-forms, and features describing the configuration of the fingers and of the thumb. This article further develops that theory of…

Revolutions can happen in different ways. About six years ago, a very particular type of revolution began in a cluster of rooms on the main campus of Gallaudet University. There, a handful of individuals began a "quiet revolution" guided by an overarching passionate mission to conduct groundbreaking science that would have widespread…

In this article, we present a system for the representation of the configurations of the thumb in the hand configurations of signed languages and for the interactions of the thumb with the four fingers proper. The configuration of the thumb is described as a componential combination of the descriptions of thumb opposition, abduction of the CM…

This article discusses the role of eye gaze in creative sign language. Because eye gaze conveys various types of linguistic and poetic information, it is an intrinsic part of sign language linguistics in general and of creative signing in particular. We discuss various functions of eye gaze in poetic signing and propose a classification of gaze…

This paper presents a new approach to automated identification of human emotions based on analysis of body movements, a recognition of gestures and poses. Methodology, models and automated system for emotion identification are considered. To characterize the person emotions in the model, body movements are described with linguistic variables and a…

This article discusses a new way of thinking about analyzing sign-language poetry. Rather than merely focusing on the product, the method involves observing the process of its creation. Recent years have witnessed increasing literary and linguistic analysis of sign-language poetry, with commentaries on texts and performances being set within and…

There is no denying that human hands throughout art history have been alluring subjects for artists. Think of Michelangelo's portrayal of God and Adam's graceful hands on the Sistine Chapel ceiling, reaching out longingly to each other. In German Expressionist artist Egon Schiele's portraits, the long, bony fingers of his models' hands seem to…

This article explores constructed action (a signer's use of various parts of their body--such as the head, torso, and eyegaze--to depict the actions of a character) and why it appears to be an obligatory accompaniment to some so-called "classifier" (or polycomponential) signs. It is posited that constructed action is used to depict aspects of…

Grounded blends may be literal or metaphorical, the latter allowing for an even richer variety of blend characteristics. This contribution of metaphor is achieved largely through the utilization of body partitioning. Body partitioning may result in: (1) the appearance of a single, coherent source-domain scene iconically represented; (2) a single…

Presents a unit on clay that is centered around sign language in which students explore the slab method of working with clay. States that each student picks a letter of the sign language alphabet and fashions a clay hand to depict the letter. (CMK)