In many cases, teachers shy away from including much writing because of the many hours it requires to read and provide substantial feedback on such papers. Yet writing is widely understood as critically important to learning (Applebee & Langer, 2013; Mayher, 1983; Zinsser, 1989). This article describes a program from the Northwest Arkansas…

As writing instructors, the authors spend hours "talking back" to their students through written comments on their drafts. But how do student writers receive their comments, and what do they "do" with this feedback? Teachers invest so much time and energy in their responses to papers. How do they know what gets through, what makes sense to their…

This article describes the assignments the author created to engage preservice teachers in designing instructional materials that befit today's students to help them overcome hurdles sometimes present when learning classic literature. Secondary and middle school English teachers may find these assignments useful as well so their students, too,…

In this article, the author focuses on her experiences with genre analysis. This is not a new idea or assignment. But gearing the analysis specifically toward thinking about purpose significantly narrows the focus of a typical "here's what this genre is and who uses it" essay. Genre analysis asks students to think in-depth about one particular…

This issue of "Stepping into the Classroom" reaches the broad ends of the spectrum of experience to showcase two authors who have worked hard to learn from personal experience and translate ideas into practice. Greg Van Nest, a veteran teacher of six years, had gone to many national conferences, but in Nashville in 2006, he came away knowing he…

Describes how the emotions surrounding death created a communion between a teacher and her class. Presents four poems, one written by the teacher, concerning the death of family members. (RS)

Describes how the topic of "sleaze" became the leitmotif of a high school English classroom for several weeks. Presents students' responses to the topic, which demonstrates that the students are reading, writing, and thinking about the topic over an extended period of time. (RS)

Argues that through poetry students can give voices to people whose voices usually do not find their ways into their classrooms or textbooks. Discusses poetry and literature, poetry in history, and personalizing poetry. (RS)

Describes a poetry teaching method in which prereading strategies are used to spark interest and focus on those devices students are expected to learn. Presents samples of poems students wrote imitating devices in the model. Notes that, although not all students became fans of poetry, they developed an appreciation for the poet's task. (RS)

Argues that any curriculum of peace must have at its core the teaching (not preaching) of empathy. Recommends ecphrastic poetry (poetic response to works of art) as a teaching tool for empathy, and discusses how the author uses one particular poem written in response to a World War II photograph to stimulate student writing response and…

Describes a very successful writing assignment the author uses with his high school English students, in which students write about a letter of the alphabet. Notes that this assignment grants freedom for exploration and voice, the raw material for shaping and can be used to teach everything from the writing of poetry to essays for college…

Describes an approach to literacy instruction for immigrant students based on two novels. Focuses on the immigrant experience and teaches both cultural and "school" literacy. (MM)

Describes how a teacher uses Stanley Kunitz's poem "The Portrait" to help students write poems full of concrete, sensory images about deeply private experiences. Presents examples of student poems. (RS)

Describes a semester-long project for a first-year writing class in which students work collaboratively to research an artist as a person, write an essay as a monologue, and present the monologue as a one-person play to the class. (SR)

Describes how, after studying the Holocaust and other human-rights issues in their eighth-grade language-arts classes, students felt compelled to create a permanent memorial and reminder. Discusses how the project unfolded from finding and shaping an idea, collecting stories from around the nation, crafting the mosaic and the flower garden, and…