In this paper we discuss the musical work of classical composer Benjamin Britten as a lasting legacy for public music education. Our starting point is the contemporary urgency to rethink both public music education in general, and the public-educational significance of Western classical music in particular, in the face of the dual threats posed by…

Songwriting is a form of composition that relates directly to adolescents' personal experience of music. This article provides a rationale for establishing courses in songwriting at the middle school and high school levels. Other topics in the article include curriculum development, instructional procedures, and assessment. The article ends with…

International-mindedness is defined in many different ways in education discourse. Some of the definitions include the ability to be open-minded and respectful of cultures and peoples or having an awareness of the interconnectedness of people not only intellectually but also with growing empathy. Do music educators have any role in helping…

Kindergartener and Dalcroze teacher, Heather Gell (1896-1988), brought music to thousands of Australian children and adults. The community touched by Gell was vast: it included her classes in studios and teacher training colleges, "listeners in" to her radio programs, viewers of her television programs, Dalcroze trainees, and people in…

Sheet music, song lyrics, and audio recordings may not be the first primary sources that come to mind when considering ways to teach about changes brought about by technology during westward expansion, but these sources engage students in thought provoking ways. In this article the author presents a 1917 photograph of Mountain Chief, of the Piegan…

Writing and speaking are essential means of understanding, studying, and sharing music in the Western art music tradition. The papers presented in this symposium were the outgrowth of authors' dialogue during the summer of 2004. Each of them worked independently, yet each of them was also aware of the direction, the themes, and the ways of the…

Focuses on the importance of creative thinking in music education. Addresses three factors that support creativity in music: (1) the availability of resources for teachers, (2) the growth of information related to understanding creative thinking, and (3) the role of technology. Introduces this issue of the "Music Educators Journal." (CMK)

Explains that music teachers can hamper student creativity in music composition by restricting assignments. States that teachers should assign only one parameter, focusing on a broad overarching idea. Provides examples of enabling parameters. Addresses the teacher's response to student work and nurturing musical independence. (CMK)

Focuses on the use of assessment rubrics with musical composition. Provides guidelines for musical composition assignments and describes the construction and use of rubrics. Includes four example assessment rubrics. (CMK)

Discusses the benefits of commissioning a work for a choral group. Provides guidelines for music educators who commission a piece: (1) know your own needs; (2) find a composer who interests you; (3) help the composer select appropriate lyrics; (4) set a tentative schedule; (5) consider the costs. (CMK)

Discusses the use of standards-based instruction in large ensemble rehearsals and the implementation of the National Standards for Music Education. Provides a sample lesson using "The Ash Grove," a piece arranged for band with notes on lesson preparation and rehearsal strategy. (CMK)

Relates the founding of the Wisconsin Comprehensive Musicianship through Performance (CMP) Project and addresses comprehensive musicianship. Describes the five parts (selection, outcomes, strategies, analysis, and assessment) of the Wisconsin CMP model. Provides an example of how the model works for a specific composition. (CMK)

Proposes to explore some of the origins of ideas that form the "official" music curriculum in England and suggests ways in which the impetus for development can be sustained. Believes that historical research in music education is central to illuminating the difficulties and strengths of current practice. (CMK)