This article presents a detailed framework, or blueprint, for revolutionizing music scholarship in Ghana. This framework encourages the use of a wide range of theoretical and methodological approaches in areas such as performance, composition, analysis, and portfolio-based research. The blueprint is based on decolonial and inclusive ideas, aiming…

The search for Nigerian-based content and methodology for music education has been one of the primary concerns of music educators in contemporary Nigeria. Debates and criticisms surrounding the existing curriculum are ongoing. A natural response to these criticisms is the suggestion of alternative solutions that aim to develop a Nigerian-based…

States that creating "authentic" world music arrangements that are faithful to indigenous performances provides a means for teaching instrumental students about the sounds of other cultures. Discusses how to choose a piece of world music, how to transcribe a performance, and how to develop the arrangement. Addresses additional instructional…

Proposes to explore some of the origins of ideas that form the "official" music curriculum in England and suggests ways in which the impetus for development can be sustained. Believes that historical research in music education is central to illuminating the difficulties and strengths of current practice. (CMK)

Profiles music scholar Charles L. Seeger and his contribution to U.S. musical life. Seeger played a significant role in introducing vernacular music to schools, extending the definition of U.S. music in the curriculum, presenting music as a cultural subject, and promoting musical diversity in the classroom. (MJP)