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Ne Myo Aung; Patricia Shehan Campbell – Journal of General Music Education, 2024
The Burmese arched harp, known as "Saung Gauk," is the national icon of the Southeast Asian country of Myanmar (once called Burma). It is both ancient and contemporary, and its music frequently carries stories that are threaded with long-standing philosophical principles of the Burmese. The music of the Saung Gauk consists of five…
Descriptors: Foreign Countries, Asian Culture, Music, Music Education
Yoo, Hyesoo – Update: Applications of Research in Music Education, 2021
In a global society, 21st century skills are fundamental for every student. Furthermore, in today's digital world, technology is expected to be part of students' learning experiences. In the following research-to-resource article, I provide practical strategies and ideas for integrating technology into a performing ensemble program in order to…
Descriptors: Technology Integration, 21st Century Skills, Skill Development, Creativity
Yoo, Hyesoo – Music Educators Journal, 2017
Multicultural choral music has distinct characteristics in that indigenous folk elements are frequently incorporated into a Western European tonal system. Because of this, multicultural choral music is often taught using Western styles (e.g., "bel canto") rather than through traditional singing techniques from their cultures of origin.…
Descriptors: Music Education, Singing, Teaching Methods, Cultural Awareness
Ruggiero, Diana M. – Hispania, 2015
This study presents strategies for teaching highland Afro-Ecuadorian culture and for broaching the topic of race and racism through the documentary film "Más allá del fútbol." Produced in 2008 by the author, this film explores "afrochoteño" identity and culture as well as the issues of race and racism in Ecuador through a…
Descriptors: Films, Spanish, Blacks, History
Downton, Michael P.; Peppler, Kylie A.; Portowitz, Adena – Online Submission, 2010
Using a constructionist framework in music, specifically through an emphasis on composition, is revolutionizing the field of music and education by bridging the gap between the novice and professional. Much of the research has been spearheaded by Jeanne Bamberger and others, who noted the computer's potential to highlight what it means to be a…
Descriptors: Foreign Countries, Music Education, Musical Composition, Computer Uses in Education
Peer reviewedBieber, Arnold B. – Music Educators Journal, 1999
States that creating "authentic" world music arrangements that are faithful to indigenous performances provides a means for teaching instrumental students about the sounds of other cultures. Discusses how to choose a piece of world music, how to transcribe a performance, and how to develop the arrangement. Addresses additional instructional…
Descriptors: Bands (Music), Cultural Awareness, Cultural Background, Educational Strategies
Peer reviewedFrederickson, Karen – General Music Today, 1999
Urges music educators to use activity-based instruction as opposed to more traditional methods. Provides two lesson plans for middle school students where they learn about musical instruments in an integrated science and music environment that promotes concept formation and the exploration of the role of culture in music-making. (CMK)
Descriptors: Concept Formation, Conventional Instruction, Cultural Awareness, Experiential Learning
Holmes, Ramona – Teaching Music, 1996
Provides a lesson plan for beginning string students using a basic rhythm from Zimbabwe's Shona people and then building upon that rhythm. Briefly discusses simple yet effective techniques for playing and adapting African music. Includes musical scores, teaching tips, and selected recordings. (MJP)
Descriptors: African Culture, Cultural Awareness, Elementary Schools, Foreign Countries

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